Today’s post is a blast from the past. I’ve been sick as a dog for a couple of days and simply am not up to putting a post together. No, I don’t have Covid. Just lousy allergies and probably a light case of something like the flu. But I’m better and am enjoying my first mug of coffee in several days. Heaven! This post is from October 2017 and is still relevant when it comes to the indie vs. traditional publishing debate.
Last night, I started my usual prowling through the internet, looking for a topic for today’s post. Nothing resonated with me until I came across a discussion about indie authors. Even though the discussion remained civil, the disdain and condemnation was obvious. I’ll admit, I had a knee-jerk reaction where I wanted to go wading into the discussion to give the indie side of the argument. I didn’t because it would have gained nothing. The people taking part in the discussion are so entrenched in their beliefs, they wouldn’t have listened, no matter how convincing my arguments might have been.
You see, like so many who have been traditionally published, this group simply can’t fathom the speed with which a number of indie authors write. More than that, they can’t accept you can write, edit and publish a book in a month or two. They can’t wrap their minds around the fact that the year or more between books most authors experienced by traditionally publishing was an artificial delay in the production line. But, because this is the system they are used to, it is the only one they feel is valid.
Yes, that is a bit of an oversimplification. They understand that authors write at different paces. It is the rest of it that blows their minds. They have a hard time realizing it doesn’t take months to get edits back and have them finalized. They forget that indies don’t have to wait for publication slots to come open for release dates. Even so, when they start saying they fear for our industry, they point to the speed with which indie writers are putting out their product and assume the product must be inferior because it didn’t go through the same process their work did.
One of the authors pointed out that they had published something like 10 books in a little more than that many years. The author’s view was no one should be able to put out a quality product quicker than that. After all, there’s all that research that must be done, the careful selection of words, the crafting of the story, etc. No one should be able to put out multiple books a year, much less a book every month or so. Mind you, she had no idea how long the books were the indie author who published monthly put out. She simply assumed, just like she assumed they were poorly written.
That particular author’s attitude isn’t new. It’s something indies have had to deal with since Amazon first opened their KDP platform to us eight or so years ago. They’ve complained that we aren’t “real” writers because we didn’t go through traditional gatekeepers. They’ve decried the quality of our writing and editing. They do so, more often than not, without reading our work. They simply join their voices to the cries of outrage coming from the rest of the flock.
What did catch my attention in the discussion, however, was a comment that basically said that instead of focusing on the “bad writing” of indies, they needed to ask why the public is reading such crap. They pointed to 50 Shades of Grey as their examples, pointing out it had sold many more copies than the “classics”.
What that comment failed to note, possibly because it wouldn’t fit the narrative, was that 50 Shades did start out as an indie novel and then it was picked up by a traditional publisher. That traditional publisher put mega bucks behind the push for that book and its sequels. It even contracted for a new book in the series, this one from Christian Grey’s point of view.
The answer to that person’s question is simple. There are those who appreciate the classics and literary fiction but they are not the majority of the reading public. The majority of those who buy books or borrow them from the library read to be entertained. They want a story they can escape into. They want to be able to forget their worries for a few minutes or a few hours at a time. It really is that simple.
A look at this week’s New York Times best seller list tells the tale. Of the combined print and e-book list, four of the first five entries on the list are genre fiction. They are written by authors like Dan Brown, Stephen King (2 entries) and Nelson DeMille. The 5th book is a book of poetry. Looking at the hard cover list, none of the titles are what you might call “literary” fiction. Considering the fact this particular best seller list is determined by push and pre-orders (not completely, but to a large extent), it is obvious even publishers understand readers want something that has entertainment value to it.
Does all this mean indie writers don’t have challenges we need to meet headlong and overcome? Absolutely not. To start, we need to understand we have to put out the best product we can. That means our writing has to be good and it needs to be edited. We need to be prepared to take the slings and arrows of criticism leveled at us by those who have yet to realize there are more paths to success than traditional publishing. We need to develop a thick skin and be prepared with facts and figures when people come at us, telling us we aren’t “real writers” because we didn’t go through the gatekeepers. What those critics don’t understand is that our gatekeepers are our readers. If we don’t do our job well, readers won’t buy our product.
Now go forth and read — and write. If you read a book by an indie author, do them a favor and leave a review. Those help more than you realize. I’m off to find another cup of coffee now and then it is a day of writing. I can’t afford to wait a year or more between books coming out. Guess I’m not a “real writer”.