Welcome to the business of monetizing intellectual property.* No, you’re not in a different dimension or that nightmare of a class where you showed up for the test without studying (or clothes). I say again, welcome to writing and publishing.
What is a story? What is a nonfiction book, or a work of art? The writerly answer may be that it’s a form of communicating facts and emotions to an audience. The business answer is that it’s intellectual property, and intellectual property is something you can resell again and again to many audiences, in may formats. For art, the original may be an oil painting, but it can be resold as a poster, a fine art print, a t-shirt, a mousepad, a desktop background, or a book cover. For a story, it might have been written on paper (or not), but you can license or sell it as a paperback, as a hardcover, in English, in Polish, in ebook, in Indian translation, in audio, as the basis for a movie, a play, or tv show, or all of the above. As long as you hold the copyright, you can license the IP to anyone you want, or not, for any terms you can come to mutual agreement on how long, and for how much.
Dorothy here, writing you from somewhere in the Pisgah National Forest, on Peter’s login since it’s functioning better than the laptop I brought. (Two is one, and one is none…) Today’s article is dialogue: how not to do it. Read more
Or: I recognize that bit of sausage!
Recently, I was reading a few friend’s books – Sabrina Chase’s Soul Code, and Cedar Sanderson’s Possum Creek Massacre. (They’re both very good books in their own right, though if you haven’t read the earlier books in the series, there’d be a bit of a learning curve to get up to really enjoying it.) And knowing both authors, I’ve been around for their lives the months before and during the writing… and so I started seeing bits of pieces of real life incidents, accidents, hobbies, and conversations that I recognized converted into fiction.
Many of us here are married, or live with a long term partner. How do you deal with criticism on your art from your spouse or partner? Is it helpful? Did you and your other half have to work out ways to communicate what they mean better? (On art, specifically. We all have to work out communication on everything else, as well.)
My husband challenged me to compile the complete kitchen sink marketing checklist for launches – including everything I’m not managing right now. What else would you put in here? What do you do? What is your timeline for a release? Read more
The question came up in comments under the steps for opening a small business post: why do all this work? Why not just run it on the side like a hobby, commingling all your funds, skip the business licenses and all the other hurdles?
Why, in fact, are we encouraging you to do all that? What about all the folks who never got started along the way because of the hurdles of running a business, or who spent all their energy on opening the business, and never got any further – why are we discouraging them?
The key is: mindset. This is a collection of writers who do this for a living, not a collection of people who published a book once, and maybe will get around to that again.
After getting a few reviews of Scaling the Rim that graded it as a romance, not a science fiction book, I got curious. So, the past few months I’ve been reading several Romances, subcategory SF to try to figure out the difference between Science Fiction, subcategory romance and Romance, subcategory science fiction. At first glance, you’d think they’d be the same thing, but they’re very, very different – the reader cookies (what makes readers happy) aren’t even on the same page.
In the Romance genre, not only is the emphasis completely and totally on the couple’s relationship (duh, it’s romance), but the worlds have an extremely limited amount of worldbuilding, and a huge amount of handwavium, with far higher tolerance for psychic this or psionic that. (In that way, it reminds me a lot of the old scientifiction, speculative fiction, and pocket books of barely 40-50K words that were one step removed from collected issues of pulps – or were pulp stories fleshed out into books. Jack Vance had no problem with magic in his far-future dying earth!) Read more