This is a guest post from the friendly and talented Joe Monson. I had asked a couple of people I know who had managed anthologies, and Joe got back to me with the following post. Hopefully it will be helpful if any of you are considering herding cat… er, putting together an anthology!
Taking Out a Contract
I’m fairly new to the writing and editing scene. At the time of writing this, I have only one published short story and one published anthology (as co-editor) to my name (though a couple are out for consideration by editors and publishers). So, I can’t say that I have years or decades of experience to my name. Read more
Before I get into it, I had to sit down with the Wee Horde this morning for a business meeting.
“I know you miss Mommy, and you’re upset that she’s gone, again.” Mrs. Dave vamoosed for parts more conducive to Freedom and Democracy a couple days back, and we had a pretty solid day that morning, and then it really sunk in to Wee and Wee-er Dave’s heads that Mommy Is Gone, Again. And … while all heck hasn’t broken loose, it’s certainly been more stressful for all three of us.
Let’s face it, publishing is little more than a legal, and non-lethal, form of Russian roulette. If you want to go the traditional route, you are rolling the dice at so many levels you probably have a greater chance of being hit by lightning. If you go the indie route, will you be able to grab enough of the market to make it worth your while to spend the time writing the book? No matter which route you take, the ride gets even bumpier. But, if you look closely enough, there are high points as well. The only thing that isn’t certain is how it will turn out for you. Read more
[Alma Here. I’m away from the internet, so please be patient if your comment gets into moderation or I don’t answer. One of the other mods will free your comment from limbo (or purgatory, if it was naughty).]
Some writers, or at least the names assigned by publishers to a series, don’t end. If you have any question, look at the shelf of westerns at your local bookstore, and if you get to # 400 with the same author and character, you can be pretty certain you’ve found the Eternal Series. In other cases, the publisher says, “No, you have to keep going, because these are too popular to stop now!” You’ve encountered those, I’m sure, where the reader can tell that the writer dreams of killing off the protagonist just to be free of him or her. And there are the series that stop abruptly, leaving reader and characters hanging because the publisher decided that the series wasn’t producing. For indie writers, or those with more flexible publishers, we have to decide for ourselves. It can be a little difficult. Read more
I’m starting to believe normal really is just a setting on a device of some sort, somewhere. Unless, perhaps, you live in a cave, somewhere miles or more from the nearest other human. And don’t have any relationships or concomitant responsibilities. I don’t think I’ve had two very similar weeks in the last couple of years.
(I originally wrote this post back in 2016. Here it is again with some additional thoughts–ASG.)
As I was looking for potential topics for today’s post, I came across one of Kris Rusch’s posts and knew I had everything I needed right there. In fact, I considered e-mailing Kris and asking permission to simply repost the blog entry here. I consider what she said in Business Musings: Introductory Remarks (Dealbreakers/Contracts) to be mandatory reading for every writer out there, whether you are wanting to go the traditional route or indie or a mix of the two. My advice to every writer and wannabe writer is to read and then reread and bookmark the post. It is that important. Read more