This all started because I was very cheeky to a friend recently. Tom Rogneby writes wonderful stories, with a dry wit I really enjoy, so when I saw the cover for his upcoming Boogeyman book, I was both happy, and sad, all at once. It’s complicated. I know the value a cover can give to a book. And I know that I’m probably more critical of book covers than your ordinary reader, because I am also an artist, and someone who specializes in creating book covers and the art, layout, and so forth. So bad book covers make me cringe. Usually, I shut up and scroll on. There are a lot of bad covers out there but it’s like babies. You don’t tell the lady her baby looks like it might have some warthog genes, even if they are on the dad’s side. Authors, especially authors who have paid good money for a crappy cover, don’t want to hear that their baby looks ugly. Shut up and scroll, Sanderson, shut up and scroll.
Posts from the ‘cover design’ Category
Okay, I’ll admit it. I started November off with the best of intentions. I wasn’t going to officially do NaNoWriMo. But that didn’t mean I wasn’t going to write. I needed to finish the next book in the Honor & Duty series. Then there was the next Eerie Side of the Tracks series to work on. And the next fantasy novel. Well, you get the idea. Lots to work on and not time to start a new project. However, I wanted to hold myself accountable and pledged to do the 50k words, just not on a single project. Then came the end of last week and Myrtle the Evil Muse infected me with a new story, one she demanded needed my attention NOW! For once, however, she let me off with only 5k words (mainly plot notes) and a cover mock-up. Read more
The group writing blog, Writers in the Storm, Melinda VanLone recently had a different take on covers. Some of the points underline what Sarah, Cedar, and others have said – covers are not first and foremost works of art. They are tools for selling.
The second point… I’m not entirely sure about, although based on the problem on the ‘Zon with “Just what is Urban Fantasy anyway?”
Rudyard Kipling wrote several great poems about wanderlust and the itch to look over the next hill, including “The Long Trail.” We authors are more interested in the long tail, the sales of our earlier books. We want new readers to have access to our older work, to buy them, enjoy them, tell others about them. Long tail sales can yield a pretty penny over time, and can lure new readers in as well.
Most indie authors have rolled, with relative ease, into hiring content editors and even copyeditors, (just don’t put either under “editor” on amazon. That editor tag on Amazon is for anthologies. You also shouldn’t put your cover artist under “illustrator.” Before I figured out that clueless authors were doing that, I passed up a bunch of books because I thought “An illustrated hard boiled mystery? Too weird for words.” That tag is there for actual illustrated books.) or figuring our how to swap with other indies for these services (which amounts to hiring) or other more creative arrangements.
One stumbling block remains in most writers’ publication schedule: covers. Read more
Here’s why you should. I see it frequently, if not hear it outright, and although there are times the ability to not GaF is a powerful tool, there are definitely times it is a bad thing. When you get to the point where you stop seeing the people around you as humans, but inanimate objects who are simply obstacles to overcome, you need to GaF. As an author, not giving a damn about readers will get your book outright mocked, if you don’t do everything right. So I decided I needed to make a case against the modern philosophy of IDGaF. It’s self-centered, and self-defeating, when it comes to Indie Publishing. Or trad pub, for that matter. Read more