Jul 8
So Andrew and his husband Tristan are out from the city for a Sunday tour of boutique wineries and an organic produce market in their Prius – complete with its ‘meat is murder’, ‘Gun Free America’, ‘I’m with her’ stickers on the back. Read more
Jun 23
Last month, PBS wrapped up a costume drama based on Victor Hugo’s Les Miserables. It was very well done, although I got impatient with some of the characters for the same reason I got impatient with them when I read the novel. Hugo wrote for a different time and different readers.
But the character of Inspector Javert remained one of the most intriguing. In part, this is because he was the first antagonist I ever encountered in screen, as opposed to a villain. I was probably 6 or 7 when I first saw Les Miserables. It was on TV, on a Saturday afternoon, when they ran Dumas and Hugo dramatizations. Javert’s actions didn’t make sense, and my poor parents had a lot of difficulty trying to explain them in language a child would understand. Later, after the musical came out and I read the entire novel, he made sense.
Javert is virtue turned to vice. Which makes him such a fascinating antagonist. Read more
This particular moment in the year is hard on me. I, and many others in my profession whom I consider my closest friends, are drawn up in remembrance of those whom no longer dine with us, save in spirit. This period of reflection (with its accompanying vigils held), is never easy, but it is our responsibility.
Last time I talked about dealing with the destructive inner critic, so I thought that today it might be worth mentioning that it’s not really a good idea to silence or ignore all the criticisms that float through your head. Some of them come from the useful critic, the one you definitely want to listen to. It’s not hard to distinguish them. The Bad Critic makes statements that are usually personal attacks, and are always designed to silence you. The Good Critic asks questions that spark ideas and help you improve the story.
There are lots of checklists of questions to ask yourself, but I don’t find these terribly useful. I prefer to take a step back from the story and see what floats into my head when I try to read it as a stranger might; when I sense a weakness in what I’ve written or recognize an old stumbling-block. A lot of them are things you might expect to hear from beta readers, but I don’t believe in counting on beta readers to fix problems I can catch for myself. Here, then, are some things I might hear from the Good Critic during the journey from initial idea to finished draft. Read more
Ruminating on Falkenberg’s Regiment
At 19 years old, I discovered Jerry Pournelle’s work in a massive omnibus entitled The Prince. I will vociferously argue that his CoDominium series with John Christian Falkenberg III, is a better, more enjoyable body of work than Janissaries. Friends disagree with me about this, but I tend to ignore them. Pournelle’s Falkenberg is an incredible character and one I can always more of in my library, hence my surprise when I learned that a new Falkenberg’s legion novel existed. Hallelujah! Then I read it… Read more
Mar 3
No, this is not a new version of two-finger-typing for those endowed like Cyrano de Bergerac. It is about adding a new layer of reality and depth to your setting and scene description, and about playing up the differences between characters. Read more
Image by 7854 on Pixabay
The short story, once the absolute heart of the sf writer’s career has long since dwindled off to become so irrelevant that many a successful author never writes one, and certainly many (me included) never sold one prior to selling a novel.
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