To dream or to do
Last night I was talking with Sarah via IM and asking what I ought to blog about today. Normally finding a something to blog about isn’t a problem. The problem is usually finding one that isn’t such a hot button topic that we’d be invaded by trolls and an epic flame war would erupt. But the last five weeks have been filled with family issues to deal with, illness and, finally, writing. Lots and lots of writing. My brain is wrapped up in plot twists and turns and thinking in bloggish isn’t what it wanted to do. So, I turned to mentor and friend and twin by another mother, Sarah.
We’d been discussing various magical creatures and whether or not we need a “bible” for the shared world some of us are going to be writing in. The unanimous response is that, yes, we do. Not a true story bible, but at least one with basic world rules in it and then some references to some of the creatures we’ll be using. That, of course, led to a discussion of contract terms. The long and the short of that is, once we agree on the contract, one of us will be posting it here as an example of what we see as a working and fair shared world contract between authors. Even now, we’ve agreed that copy right will rest in the individual author, just as it does with any other optioned novel that isn’t a work for hire. Rights will revert back to the individual author after a set time unless the parties agree to extend the contract, again for a set period of time. If a publisher approaches one of the authors wanting to bring out that book or another in the world by that author, there will be mechanisms in the contract that will allow for that. Reporting of royalties will be quarterly, possibly monthly. That hasn’t really be settled yet. There’s more, as you can imagine, but these will be our individual works, based in a world we share. I’m excited about it and scared because I know I’m the novice in the group. But, scared or not, I’m looking forward to this new project and hope I do the others proud.
When I told Sarah that, I could hear her chuckling even though we were on IM. Then there was the figurative finger snap and she suggested that I write on Writers and Dreaming. I’ll admit, I was non-plussed by what she meant at first. Was she talking about how some writers have their plots come to them in dreams? Or was she talking about how being a writer is a “dream job”? (Pardon me while I laugh hysterically at that. Sorry, but a dream job is one that doesn’t require this much WORK.) Maybe she was talking about dreaming about how your family will finally understand that writing is a job and not something that can be turned on and off just because someone needs a shirt ironed or a sandwich made.
Turns out it was all that and something more. Writers are dreamers. We dream up these wonderful stories in our heads and do our best to get them down on paper — or electrons. We have closets or drawers or thumb drives filled with stories and notes and images that help us visualize our stories as we write them. Most of all we dream of having other people read what we write and like it.
It is that last dream that is so enthralling and so frightening at the same time. Look at how long it takes for most writers to even admit they are — gasp — writers. Many of us still haven’t told family or friends. Why? There are any number of reasons, ranging from fear of someone you care about making fun of your chosen profession to fear of letting a parent or loved one down. Still, we write. We dream those wonderful plots and those intriguing and often times irritating characters become family in their own right.
As writers, we have to ask ourselves if we are writing for ourselves only — and there is nothing wrong with that. I have a lot of things I’ve written that will never see the light of day. Why? Because they are too close to me. They were written to help deal with things that are not meant to be public. Most of us have different coping mechanisms. Mine is to write. So those things are often destroyed after they have served their purpose. No, these aren’t what I call bonfire fodder. These are my coping mechanisms and mine alone. These are my personal demons or others’ and no one else’s. — or writing so others can read our work.
And this is where the ultimate dream for most writers happens. Most of us do want others to read our work. At least that’s what we say. But how many people do any of us know who say they want to write but they don’t know how? Or they sent something off to an agent or publisher and that person didn’t like it and now they won’t send anything else out ever again because it is obvious they aren’t good enough? Then there are those who want to write so others can read their work but they want to be published by a “legitimate” publisher so no way will they pollute their work by self-publishing it or sending it to a small press?
Then there are those writers who, for whatever reason, write but never finish anything. The writers who have reams and reams — or megs and megs — of work stored away, just waiting for the conclusion to be added. These are good stories, maybe even great stories, but incomplete. Why? Is the author just a victim of popcorn kittens or are they afraid of actually finishing something and sending their baby out into the cruel world?
The why doesn’t matter. What does is that we, as writers, have to understand that the publishing world has changed. That means we have so many new and viable avenues available to us, avenues to publication that were not there just a few years ago. Most readers don’t give a flying flip about who your publisher is. Heck, most readers couldn’t name their favorite authors’ publishers on a bet. They have loyalty to the author, not the house (okay, this is a generalization. I don’t want my fellow Baen barflies coming to “remind” me about them. I did say most readers.) Readers want a story that entertains or engages and is well edited and formatted. That’s it. They don’t, on the whole, demand that story come from Random Penguin or MacMillan or Harlequin.
So that means, my fellow writers, you have to decide what you are going to do. Are you going to continue to hang onto the old guard, crying that you won’t publish anything until it comes our from a “real” publisher or are you going to look at what your options really are? Are you going to quit dreaming about being a writer and actually do whatever it takes to bring a quality product to the reading public?
Suffering for your art is over-rated. I don’t know about you, but I like having three squares a day and being able to spend time with my family. I don’t like getting rejection letter after rejection letter because what I’ve just submitted doesn’t fit with what Publisher A is looking for right now or my novel, while well-written and entertaining, just didn’t “speak” to Agent B. I don’t appreciate spending hundreds, maybe thousands, of hours writing a novel and then editing it and only getting a small percentage of the sales price in return. Because I know the book wouldn’t exist but for me and for my work and dreams, I choose to find ways to bring it to the public that rewards me for my hard work, not someone else who may give me a token payment some time down the road.
But the whole point of this is simple: as writers we are dreamers. We have to be. But there comes a point where we have to ask ourselves if we want someone else to read our work and, hopefully, pay to read it. If that is our goal then we have to quit dreaming and take steps to make that dream a reality. We have to persevere, understanding that none of us will get rich overnight. Writing may be our dream but it is also our profession, our job. We have to treat it that way. So, sit butt in chair and write. Then send your work out to your alpha and beta readers. While they are reading it, start on your next project and, at the same time, decide what you are going to do with the finished work once you get it back from your readers. Then follow through. That is the most difficult thing for many of us. But, in order to make our dream come true, we have to.
Quit dreaming and start doing. My TBR stack is getting shorter. I need something else to read. In the meantime, here are some of my titles I’ve kicked out of the nest and sent into the big bad world. Check them out, buy them so my cat and dog will quit nibbling at my ankles 😉
Some things can never be forgotten, no matter how hard you try.
Detective Sergeant Mackenzie Santos knows that bitter lesson all too well. The day she died changed her life and her perception of the world forever.It doesn’t matter that everyone, even her doctors, believe a miracle occurred when she awoke in the hospital morgue. Mac knows better. It hadn’t been a miracle, at least not a holy one. As far as she’s concerned, that’s the day the dogs of Hell came for her.
Investigating one of the most horrendous murders in recent Dallas history, Mac also has to break in a new partner and deal with nosy reporters who follow her every move and who publish confidential details of the investigation without a qualm.
Complicating matters even more, Mac learns the truth about her family and herself, a truth that forces her to deal with the monster within, as well as those on the outside.But none of this matters as much as discovering the identity of the murderer before he can kill again.
In this sequel to Nocturnal Origins, Lt. Mackenzie Santos of the Dallas Police Department learns there are worst things than finding out you come from a long line of shapeshifters. At least that’s what she keeps telling herself. It’s not that she resents suddenly discovering she can turn into a jaguar. Nor is it really the fact that no one warned her what might happen to her one day. Although, come to think of it, her mother does have a lot of explaining to do when – and if – Mac ever talks to her again. No, the real problem is how to keep the existence of shapeshifters hidden from the normals, especially when just one piece of forensic evidence in the hands of the wrong technician could lead to their discovery.
Add in blackmail, a long overdue talk with her grandmother about their heritage and an attack on her mother and Mac’s life is about to get a lot more complicated. What she wouldn’t give for a run-of-the-mill murder to investigate. THAT would be a nice change of pace.
Mackenzie Santos has seen just about everything in more than ten years as a cop. The last few months have certainly shown her more than she’d ever expected. When she’s called out to a crime scene and has to face the possibility that there are even more monsters walking the Earth than she knew, she finds herself longing for the days before she started turning furry with the full moon.