“Pay attention to where you get stuck. That tells you where your craft needs improvement. Maybe you need help with plotting, pacing, or story structure. Those are skills you can learn, but the key is recognizing where the problem occurs.” – Craig Martelle

When I first read that, my instinctive reaction was to wince and mutter “Shots fired! Shots fired!”… My second was to nod ruefully, and sigh “It’s a fair cop, guv’ner.” After all, when I have a pile of WIPs that have seen no progress in so long that I call them WNIPs – Works Not In Progress – then clearly there’s a recurring problem I ought to track down and eliminate.

And perhaps, “What happens next?” is the wrong question, and “Where am I consistently getting stuck, and what skill do I need to improve?” is the right one to unlock what happens next.

One that’s bitten me a couple time is the transition from one world to another. I’ve done all my research and set up all my economy and motivations and social structures and (in one case, magic system)… and when it comes time for the crew to land on and do things on a different planet, or step through the gate to another realm, then brain locks solid because it hasn’t done all the worldbuilding for the new world and culture. Those two WNIPs are set aside for me to come back and do all the worldbuilding for the second world.

Another that’s bitten me when trying to write mysteries is that I discovery write, and while a lot of the clues come together, if I don’t know how it ends, I get lost in what clues to chase next and how… it just keeps getting more and more complicated. So, yes, I need to learn to plot… and I have that WNIP set aside until I’ve taken the time to sit down and binge on good mystery books, and read a few good books on writing mysteries.

A third – though this one I know and watch out for – is that depression is a symptom of inflammation, and when the health gets trashed, and my mood gets terrible, I can break a character without realizing it. And about 3K words later, the story grinds to a stumbling halt, because it doesn’t make sense to the back brain anymore.  Fixing that involves setting it aside, fixing my health, then coming back and cutting out the last chunk and picking up from there. (Done that several times, fixed it several times. Still have one WNIP on the back burner waiting for a structural overhaul and complete rewrite, because I trudged on through until the whole thing became grimdark, and I don’t want to write that.)

The current WIP isn’t stuck; it’s going slowly because I’m about to come up to combat, and I *always* slow down as my brain tries to set up all the parameters and figure out how I’m going to get through it. It’s a hard go for me, but I refuse to make it easier by turning to my in-house subject matter expert and dumping it in his lap… at least, not until I’ve given it my best shot. I’ll get there yet.

Where do you get stuck?

9 responses to “Always Learning”

  1. I get stuck at the part where i’m expected to finish writing something without a paycheck directly linked to it.

    1. My rule of thumb is that there are degrees of caring about a story. Some I only care enough to work out as a thought experiment in a notebook or with ai, some I only care enough to herd the ai through writing it and putting it up on the blog for free, and some I do care enough for the butt in chair fingers on keyboard stuff.

    2. Dorothy Grant Avatar
      Dorothy Grant

      I don’t write for a paycheck because that requires other people to be willing to pay me… and I can’t make other people do anything.

      I do, however, write to amuse and entertain myself, and my alpha readers, and to process things the back-brain is chewing on, and to work out what would happen if this goes on… And the last two require the thought to be completed. The alpha readers are happier, too, when it reaches “the end”… and frankly, there’s a certain satisfaction in finishing a project.

      But you have to find your own motivation – and if you don’t want to, then make sure you enjoy what you’re doing now!

      1. Having written for a check tho, i always feel like i should be ‘doing something paying’ and that gets me nowhere…

  2. For mysteries, I read one book on writing them that suggested having a Final Pair of suspects, and not necessarily commit to which one had done it until you had to. Additionally, there’s generally a midpoint suspect who’s cleared by the second murder, either because he’s in police custody (or has some other equally unimpeachable alibi) or because he’s the murder victim.

    1. Dorothy Grant Avatar
      Dorothy Grant

      *makes notes*

  3. Current story I’m not working on had two PoVs, one of which I was able to write a few scattered scenes with, the other would grind to a halt after a paragraph. I’m currently working on seeing if I can write the whole thing from the first PoV.

    1. Dorothy Grant Avatar
      Dorothy Grant

      It can be an interesting exercise in “things the character will know” and “things the character won’t know, but I hope the reader can piece together”…

      I had one book where I wrote the entire thing from one POV… until the very last chapter, where the hero was both not in earshot and not conscious. I wrote that from a secondary POV, and absolutely no readers have a problem with it.

      Another, unpublished, was supposed to only be from one POV, so the first 4 chapters are all from one point of view. After the second POV character started insisting, I’ve gone back and interlaced more… but it’s still not a standard “one him, one her” pacing. As the POV is from the person who has the most to lose and the most to gain in each chapter, it works far better than forcing myself to awkwardly stick to convention for the sake of convention.

      So, have fun! Try new things, learn new things!

  4. If you get stuck a lot, reread the pile one afternoon. The problem may LEAP out at you.

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