Places of Interest
Places with Personalities
I was upset when Harry Dresden’s basement apartment burned down. Really.
221B Baker Street. An indelible part of the Sherlock Holmes mystique.
Nero Wolfe and Archie Goodwin without their NYC Brownstone? Inconceivable!
And vehicles too. Would Star Trek be the same without the Enterprise? Star Wars without the Millennium Falcon?
Making a tiny part of your make-believe world a familiar place, describing a minute part of a whole world in detail can both pull a reader into a story, and establish a starting point for a world that you just can’t describe in the same detail. Using it as home base for a series starts the readers off knowing where they are: at home with their old friends. Or in danger, and a good thing they’ve got this ship/car/tank/whatever.
I find myself doing that in my stories. The village, the inn, the hotsprings.
And now I’ve got this silly vehicle . . . I didn’t mean for my characters to attach themselves to this battered old wreck. It just keeps coming in handy.
“That’s a bit of a wreck.”
Ebsa eyed Acty, then looked back at the dents in the crawler. They look . . . familiar.
The mechanic bristled. “Do you have any idea how short on equipment we are? If the Powers That Be will stop panicking over their precious Special Super Secret Project—which everyone knows has to be those weird Helios people—or wait six months instead of trying to instantly field every team in existence and some that aren’t,” he glanced meaningfully at them, “we could properly supply those teams. We can supply you with everything you need. What is available right now is the crawler we decided to use for spare parts, rather than try to repair.”
From _Fort Dinosaur_ by Pam Uphoff
Now it really doesn’t matter _which_ vehicle they check out of the motor pool, but this one has a history that the reader may suddenly recall. Even without having read the previous book, it’s battered and distinctive. It makes this vehicle special, it hints at history and give the world depth. Ahem. It also let me toss in a small data dump and first foreshadowing.
A single place, an office or home with “personality” can be an excellent start to world building. A place for characters to have roots. It’s location in a city, a village, a hundred miles from anywhere. A hut in the forest. A mansion in the ritzy part of town. Or the only house on the street in decent repair, the lawn, such as it was, mown. All these things tell the readers a lot about the world and they’re already making assumptions about the inhabitants.
Looking around at the rest of the Mad Geniuses . . . Dave is having a love affair with Australia. Kate . . . is all over the map, but her Vampire has become the protector of SF cons. Cedar’s got some interesting homes for Pixies and Gods. Sarah’s got a Diner in Goldport. A home on a spaceship called the Cat House.
And then, out of nowhere I hit something. Not hard. And whatever I hit was not as deadly solid as the diamond-hard trunks and certainly no powerpod. For one, it didn’t blow up.
Even after hitting it, I couldn’t see what it was. It was . . . dark. Straining, I could make out a rounded outline but barely distinguishable from the surrounding gloom.
My throat closed. It was a darkship.
From _Darkship Thieves_ by Sarah Hoyt.
And pets. A character’s reactions to animals can speak volumes about his character. Is he a puppy kicker, or a puppy saver? Does she get upset when her evil cat gets sick? Keep pet triceratops? Tarantulas? A character’s choice of pets tells a lot about the character and about the world.
The black-and-white sheepdog was more experienced at love than the dragon, and he was a young pup still, maybe eight months old. Barely more than a pup. But Dileas—whose name was “faithful” in an old tongue, long forgotten by most men—would go to the ends of the world for her, and beyond, as they were now. His mistress was his all and he would search for her until he died, or he found her.
Fionn knew that he would do the same.
From _Dog and Dragon_ by Dave Freer.
Dave tells you all about the dog, and the reader nods, personal experience kicks in. The reader _understands_ the devotion. And with a few more words, Fionn becomes a hero. As loyal and determined as a dog.
### Totally off topic! The above are examples of “Fair Use” of copyrighted materials. But after some outstandingly obtuse argumentation and attempted justification on facebook recently, I thought I’d head off any overreactions (and set a good example of “if in doubt, ask”) by asking Sarah and Dave. Who, of course, gave permission. I didn’t ask that Uphoff woman, she’s crazy and there’s no telling what she might say. ###
So here’s a writing assignment for you.
Make a home, a home away from home, or a vehicle. Some thing or some place your character loves or will come to love. Good Guy or Bad Guy. A Fortress of Solitude or an Evil Lair. A new character or an old one, doesn’t matter. They need a home.
What kind of pet does your character have? None? Well, that won’t do! Get him a pet, find out how much world building you can do while acquiring some odd critter.
And the self-Promo
For those who insist on paper and ink, all six of the Directorate stories in one huge volume.
And grab it quick, this is the last free day. Ra’d’s first appearance. Speaking of mayhem . . .