Sooner or later, 4th Wave feminists are going to have to realize that that price of equality, means not being able to hide behind oppression narratives. Especially not in a workplace such as publishing, the traditional arm of which — because it’s centered in New York City — is 98% Hillary-votin’ and Trump-hatin’, to the tune of “He’s not my fucking President!” In fact, I am pretty sure we’re going to watch the trad pub sector of prose publishing specifically spend the next four years loudly broadcasting its hatred for all things Trumpian and “deplorable.” Just in case we forgot how much Manhattanite progressives loathe and disdain anyone who lives between the west bank of the Hudson, and the eastern border of Sacramento.
But because 4th Wave feminists — lacking any real battles to fight, yet having been raised up in the ways of rage and anger — still have to find excuses to complain, we get things like this.
Uhhhhhh . . . okay.
Having pawed through the pouty entrails of this article, I’m forced to conclude that the author in question is unhappy with the fact that she can’t just be a dick, without consequences. And that publishing is — gasp! — an industry which runs on people perceiving you positively, even if your true self is a coffee-fueled hate machine.
I mean, I get it. I’m as drained by social interactivity as the next author. Probably, most of us are introverts. Social settings suck energy out of us. My wife is the opposite. Social settings put energy into her. Having observed my wife’s personality for a quarter of a century, I can inform Ms. Gould — with no small degree of surety — that even people who thrive heartily on social settings, get tired of the effort, too. So it’s not as if Ms. Gould’s “predicament” is somehow special.
It is instead — double gasp! — perfectly pedestrian.
Because dudes don’t get a free pass, either. Regardless of what Ms. Gould thinks. Very seldom is any employer looking for male prospects who are aloof, cold, rude, distant, socially clueless, or otherwise apart from (and above?) their peers. We still have to strap on that winning smile, and march forth into the cold snows of the workplace, trying to make our bosses and our coworkers love us. Or, at least, not actively despise us. Because we want paychecks too. And there’s nothing in Ms. Gould’s complaint that doesn’t precisely echo the experiences of thousands of men working in thousands of different professions and vocations. Almost all of which require a bare minimum of social ability. Yes, even the military. (Hint: past Basic Combat Training or the halls of Candidate School, there isn’t nearly as much yelling as the movies would have you believe.)
Yes, yes, I know, Ms. Gould is fed up with trying to make people who are not her friends, feel as if they are her friends. Or, at least, make them feel friendly toward her. Because this is how you schmooze in the traditional publishing capitol of the known universe. Which also happens to be one of the politically progressive capitols of the known universe. False comradeship? Passive-aggression? Never daring to let down your guard — or your facade — lest they shut you out into the cold? Golly, one could almost write a psychological thesis on how bastions of progressive thought often become social minefields, where one dare not breath the wrong way, lest one be marked off Santa’s “good” list, and placed onto the “bad” list.
But that’s a whole other Oprah.
For now, we’re discussing Ms. Gould’s soul-destroying adventures in trying to be nice, even when she doesn’t feel like it.
Madam, I am sorry to inform you: it ‘aint no different, no where, no how.
Granted, it is infuriating that so much of traditional publishing really does boil down to, “Who’s your latest BFF?” For well over two centuries, New York’s publishing Cosa Nostra has engaged in an intergenerational contest of blurb-bukkake, combined with rampant nepotism, and a tendency to let people linger on for far too long, in jobs they should never have been hired for in the first place — people who often were unfit for real work, so they turned to publishing because it was all they could get.
But if you’ve spent any time working other jobs in other arenas, you know damned well that it’s not terribly different anywhere else. Dreadful employees who can make the boss smile, survive. Hard-working employees who can’t make the boss smile, no matter how hard they try, move on. Or are booted out. Or (worst of all) suffer through a kind of workplace purgatory, neither living, nor dead. Can’t bring themselves to quit. Never fired, either. Just . . . existing. Day after day. As the clock on the wall gives you an up-to-the-minute account of how much you’re spending yourself to make other people rich, doing something you didn’t really want to do when you grew up.
I’ve worked a job or two which fit that final bill. I suspect many of the people reading this, have too.
So dab your eyes, Ms. Gould, with your personalized handkerchief; its corner embroidered with a Venus symbol — and a fashionable fist clenched in the middle of the circle.
Life sucks for bros, too.
But wait, oh wait. We knows, yes, Precious, we knows the hurtses that womenses endures because of the patriarchy! Smeagol has heard all about nasty patriarchy his whole life, and how poor Smeagol needs to check his privilege! GOLLUM (spit) GOLLUM!
Only, this time, no.
I can think of few desk industries in this nation which are more welcoming to the brainy, politically left-wing female, than traditional publishing.
Besides, is it so damned hard to be nice?
I mean, seriously.
Even someone who came from that notorious cesspool of journalistic and media malpractice — Gawker — should know that it’s good to check your jerkface at the door when you leave the house. Doesn’t matter how you self-identify. Male, female, or A-10 Warthog. Getting along with people, pays. And not just in publishing. In everything. And if you believe you’re getting strung out on social media and author events — if the schmooze is killing you — then by God put the fucking brakes on, and get some recharging time for yourself! It’s not the world’s fault that spending too much time “working” other human beings, makes you want to rip the skin off every face you see.
You also would not be the first author to watch the shine wear off the apple of her publishing dream, either. It happens to all of us, Ms. Gould. And while the advice, “Don’t hate the player, hate the game,” can sometimes be apt, I am going to gently suggest that hating the game doesn’t much help where trad pub is concerned. Not indie pub either, frankly.
You see, authoring is — at best — a service industry. You know, service industry? Hello, how may I take your order! Would you like to supersize that? Please pull around to the second window. I am sure those words have come out of your mouth at some point, have they not, Ms. Gould? Yes? No? Or did your parents pay for you all the way through college, without your hands having ever touched the handle of a mop, or a broom?
You are selling a product. Partially, it’s your stories and books. But also partially, it’s you yourself. To the editors. To the agents. And ultimately, to the audience as well. Nothing but salesmanship. Exhausting, tedious, draining salesmanship. You are Willy Loman. In a business already stuffed to the gills with millions of people — each scribbling furiously at his or her latest, greatest English-language tome — you’re not the exception. You’re the rule.
Relax, have a cigar, make yourself at home. Hell is full of high court
judges, failed saints. We’ve got Cardinals, Archbishops, barristers,
certified accountants, music critics, they’re all here. You’re not alone.
You’re never alone, not here you’re not. Okay, break’s over, ahahaHAHAHA!
You can either do the dirty chore of playing the game the way the good, proper, progressive, utterly “With her!” Manhattanites demand that it be played, or not.
But don’t pretend it’s got anything to do with things being easier for guys.
Look, in the end, take some time out. Unplug from the endless swirl of schmooze. Gawker may have been a 90 MPH napalm-flaming train wreck of lies and deceit, but that doesn’t mean you have to keep up with that same insane pace, even if you’re afraid everybody else in good, proper, progressive Manhattan is going to climbs over your backses, then stab out your eyeses, Precious, because they sees you as competition, yes, yes, GOLLUM (spit) GOLLUM!
So effin’ what?
Figure out precisely how much schmoozing you can do — healthily — in a given week, or month, or year, and don’t let yourself exceed the limit. Learn to politely say “No thank you,” without being a beast about it. Don’t let yourself spend time with people you don’t feel like spending time with. And don’t fall into the trap of thinking that glad-handing is a task we males are somehow excused from performing.
We’re not. We’re expected to clean up and put on our Sunday best, and go be mannered and chatty, just like the girls.
And it’s probably a good thing, too. Especially in the era of social media, where face-to-face interactivity is suddenly even more taxing than it was before. Because you can’t just stare zombie-like into a small screen, while the world is forced to maneuver round you.
And in the end, if New York trad pub proves intolerable, there is always indie.
Yes, indie. I know it’s a dirty word on many lips, even in 2017.
But it’s viable. It can be done sans schmooze. And you don’t even have to leave your house if you don’t want to. Some people are making millions at it. Scoring movie deals. Becoming famous beyond the internet.
Me? I’m a pretty easy-going guy. Niceness isn’t tough for me. I can usually get along with just about anybody. Even the dicks. But I also know when to go home, close my door, turn off my conduit to the rest of the human sphere, and heal. Because constantly being in the mix is like turning the screw on an olive press. Sooner or later, there isn’t any oil left. Not for editors, not for the industry, not even for the audience.
Knowing when, and how, and where, and with whom — to expend your finite personal resources — that’s the ticket!
Not blaming men.