>The scene: a more or less anonymous location somewhere in the dark recesses of my mind. I’m looking more than a little bit frazzled. My interviewee, on the other hand, is quite relaxed. Note to self. Never do one of these when your character is more composed and at-home than you are.
Me: So, what next? (Quickly, before I can get fobbed off – again – with an accurate but totally useless reply) I mean, you’ve got Constantinople, but there’s enemies on either side, and Mehmed is going to be practically frothing at the mouth.
Vlad: (Is that a smile or a smirk? Probably smirk, knowing him.) I certainly hope he is.
Me: So how are you going to stop him coming after you?
Vlad: Killing him first is generally considered good tactics in this situation.(It’s definitely a smirk. You haven’t seen smirk until it leans against a wall with its arms folded and adds in a kind of pitying, condescending ‘don’t worry your little head about it’ look).
Me: That isn’t an answer.
Vlad: (Smiling) You really are taking this far too seriously. You know where I intend to start. You will be informed as the need arises.
Me: (sourly) Gee, thanks. I know how that works. Hours of bloody research or bashing my head against a wall before you tell me what you think I should know.
Vlad: (raised eyebrow – you’d be surprised how cold it can get in here: I’m trying not to shiver, suddenly)
Me: I’m the one writing your books. You want good books, you need to tell me all of it so I don’t screw up.
Vlad: (I think my language amuses him) If you would only sit down and write, I would tell you all you needed. You know that.
The sad thing is, he’s right. The sadder thing is, I’ve got way too much else I’m trying to juggle. For starters, I don’t dare try to edit ConVent while I’m dealing with Kaziklu Bey (the sequel to Impaler). The two are so different I really don’t need to have the voice of one leaking into the other. Maybe when I’m a better writer. But then, given Sarah’s blogging, maybe not. Maybe it’s always like this.