If there were a day of writers, it should be April First.
Well, yes, it’s April Fool’s day and you have to be a fool to get into this job. But beyond that, writers are supposed to create illusions that “fool” the reader at least for a while.
And if we do our job properly, the reader is happy for it, because it entertains, amuses and sometimes makes them think.
Of course, like with a good April First joke, which has to be silly enough you’re not actually FOOLING people because frankly that’s not fun (and sometimes pollutes data for years.) it is a shared “fooling.” The reader’s mind in fact will collaborate with us to fill in an otherwise thin and unconvincing narrative.
I’m always shocked when finding that readers have imagined parts of my worlds I never described and even more so how often they are the same I have in my head.
Because I swear really good stories, when the world building is right, etc, you just run with the writer into a sort of shared dream.
What not to do? You know it. Don’t do the stupid things that throw the readers out of the book. Like the mystery I was reading today referring to “Boomers” as packrats traumatized by the depression…. which happened before they were born? I guess? What is wrong with people?
Of course if you’re writing a mystery, there’s another level of fooling. It’s the sort where we enjoy being fooled, or actually seeing through the fooling, but in the end having it proven that the fooling was “fair” i.e. that we were given the tools to see through it, if we hadn’t been so expertly misdirected.
Not a mystery per se, but a fan suggested as an example of such perfect fooling Tolkien’s “Speak, Friend, and Enter.”
And she’s right.
Of course, as writers, we like to look back at books that fooled us and figure out how it was done.
What is your favorite time of having been fooled by a book, and how do you think it was done.




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