My dining-room table has suffered a block-oclypse. It is mounded under vast heap of c-IEDs. The ‘c’ is short for ‘child’ and the E is for the explosive and muffled cursing. Yes, a kind friend has donated to my grandchildren 3 children’s worth of Lego now his kids have grown past it. At the present price of Lego, it’s a princely gift. It is also rather like a writer’s mind.

Yes, I am sure there are writers with vast bins of all the correct bits and colors to assemble, according to some perfectly systematically organized plan. Mine is far more like some brilliant anti-computer, perfectly designed to turn vast amounts of information about almost every subject into garbage. Or rather detached blocks attached randomly to blocks they should have nothing to do with.

In among the Lego tide are occasional figures – characters ranging from Starwars to pirates, and pretty well every stop between. Fascinating, strange, suggesting all sorts of constructs to my fertile mind. Many are missing heads, legs or hands, and definitely headgear. Some bits have been slowly coming to light as we try to sort it all out to divvy between the grandies (and their parents’ feet). Other bits I think have gone to join the great roomba. The grand-kids won’t care. And therein lies the difference for the writer. The readers will care.

I am still going through the submissions to MAD SCIENCE. There are some great stories. There are some great stories that I would like to say to the writer: ‘You don’t HAVE a page (or even a paragraph) to tell me about the rather dull background and introduce me to the character/s before launching me into a great story, well put together, with a good ending.’

There are others who saw the pirate character in the Lego pile and the propeller and the wheels and several bits of Millennium Falcon – ie, fascinating starts to a story, possibly interesting characters… and kept shoving more random bits on the too-small base.

One author succeeded in creating a story which – after I had been amused, but convinced it would trickle off into a chaotic mess, living up to none of the promise… surprised me, and pulled it all together. A delightful story — and I should have spotted I was being ‘primed’ with the foreshadowing, but did not pick up that they’d planned whole thing. It was NOT a random assemblage of interesting parts that did not actually work together.

I am afraid that, so far, they’re the only one — several others I can tell the author was pantsing it, sticking more and more bits on hoping one would give them an end. Bits that really added nothing to final story. Just bits jammed on because the base-piece was big enough to take them. And then reaching an ending where one part of the previous bits gave an end, and the rest… was just there.

There’s no right way to write. Pantsers and plotters are both successful at times. But please… if you’re going to pants and you finally arrive at the ending you had no idea what was going to be or how you’d get to, please, please… we live in word-processing era. Dead-end threads, red herrings that have no bearing on the final story can be cut. No, it isn’t how many Lego pieces you can cram onto it. You can also go back and insert bits of subtle foreshadowing. If you want a clue on how to do it, go and read THE RELUCTANT WIDOW (Georgette Heyer) and see how often (spoiler) she brings up the clock in the library. She didn’t have a word-processor. Inserting those mentions would have involved much tedious re-writing/typing. You can bet she plotted that ‘Chekhov’s gun’ from the very start.

On other news, I see STORM-DRAGON is still at no. 1 in Children’s Action and Adventure sf books. Thank you all who helped propel it there, and all the good people who wrote reviews.

8 responses to “”

  1. Excellent example – “Reluctant Widow” is one of my favorite Heyer stories. If I ever get my brain pulled together enough to essay writing a short story, I will remember your advice.

    1. I liked Reluctant Widow very much, but I don’t think I would have ever put it forth of an example of how to plot. I thought the plot was completely absurd, and only the fact that I really, really liked the Carlyon brothers made me willing to pretend that this made a modicum of sense. Enough sense to keep hanging out with those fabulous guys, at least.

      Of course, what do I know? Reading through Mr. Freer’s discussion of his submissions, I have the distinct impression that I know which one is mine, and it isn’t the one the managed to pull everything together for “a delightful story…primed with foreshadowing.”

  2. escapeintoadaydream Avatar
    escapeintoadaydream

    Very interesting article! I have seen this in other short story prompt spheres as well – so many stories that feel like the author just threw something together and posted it without any editing at all.

    One sentence you wrote above, though confused me. You said:

    ‘You don’t HAVE a page (or even a paragraph) to tell me about the rather dull background and introduce me to the character/s before launching me into a great story, well put together, with a good ending.’

    But I don’t think I understood that sentence. Would you mind explaining that more fully? I could tell if you were asking for information about the dull background or were asking that the dull background be cut!

    thank you!

    Bam Boncher

    1. Not Dave, but short stories lack the space for background.

      Leap into the action as soon as you can, hook the reader, and drag him/her/whatever along. Save background for a novel, or hint at it here and there, but focus on the core of the story.

      1. Back when I was writing shorts, I just wrote them, then cut off the first scene. Maybe added a couple sentences to the new start point, trickled a bit of the character’s background into the story in small bits.

        1. Mary Catelli Avatar
          Mary Catelli

          Know Thyself. It’s also possible to need to add an opening scene. I had to do that to Isabelle and The Siren, where I began with the heroine remembering how the siren had lured everyone else out of the town. I backshifted and put in her listening.

    2. TXRed answered it well for me. Look up ‘in media res’ 🙂

  3. Mary Catelli Avatar
    Mary Catelli

    Fitting it all together helps maximize the amount of strange stuff you can put in.

    I gave up one manga series because the fourth unrelated oddity made it too weird. Also because it distracted from the original idea, which was clever.

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