I first noticed it many years ago when we started to get American soaps such as Dallas and Dysentery. British soaps are about poor people and usually have a suite of hopeless characters leading fairly miserable lives. American soaps are filled with rich, glamorous characters who may not be any happier but are certainly dominant individuals of one sort or another. Another characteristic of British soaps is that the pathos often transforms into humour.
The latter observation also applies to comedy. American comedy tends to feature beautiful people living fulfilling lives. British comedy is only a whisker removed from tragedy. A comparison between ‘Friends’ and ‘Coupling’ is instructive. Superficially, these are similar. The story is about six friends, three men and three women, and how they end up as couples. However, the two series are completely different beneath the surface. Coupling is a single beginning and end story spread over less than fifty episodes. Coupling is about adult relationships and is often extremely raw. The episode about men and pornography is especially hilarious, winning awards. Coupling doesn’t end completely happily in that two of the couples end up together because they have been dumped and no one else will have them. Another example is ‘Men Behaving Badly’. This was bought by American TV, recast and re-scripted until it would have been better entitled ‘Pretty Boys Being a Little Bit Naughty’.
This brings me to a further point. Americans like their entertainment fiction to have a happy ending. The British like to wallow in a bit of angst where in the last chapter the heroine dies of consumption and the hero is killed by friendly fire.
I am not the first person to observe that an American glass is half full but a British one is half empty.
To quote an Englisg catphrase: it’s being so cheerful ‘as keeps us going.