There’s a maxim in writing, that readers like to read about characters who are as good as they are, or a little better. ‘Good’ can be defined in a few different ways- no one expects a villain to be morally good, but if they’re competent, that’ll do the trick. And some people like to read about genuinely good characters, hence the popularity of Superman and Captain America.

Unfortunately, it’s not always true. Or possibly, there’s a group of people in the publishing industry who are trying to make it not-true. Because there’s a genre out there that seems designed for people who want to read about characters that are pretty darned horrible. ‘Dark pseudo-biography’ is the best descriptor I can come up with- sing out in the comments if you’ve come across a better one. These are stories that follow a person through her life- usually it’s a female- through a bunch of really dark and depressing stuff, usually involving addiction, violence, sexual violence, problems with family and/or children; until eventually, she wakes up through the miracle of plot and leaves it all behind to have a peaceful existence on a beach somewhere, having left a bunch of wreckage behind but saved herself.

I’ve only read a couple of this type of book; each time, I picked them up by accident, then it was like a train wreck- really hard to look away even though it’s awful to see. But apparently they’re incredibly popular- or, again, someone’s putting a lot of effort into making them appear popular. And each time I finish one of these atrocities, I ask myself, ‘who wants to write this, and who actually pays money to read about this?’

Assuming that people like to read about characters who are as good or a little better than themselves, there’s a lot of really horrible people in the world. Hopefully-?- there’s a cohort of people who don’t fall into that category, and would prefer to read about not-good people in worse circumstances than themselves.

I can see some appeal- if you’re feeling down, reading about someone who’s even worse off, but manages to have a happy ending, no matter how contrived, could feel like a relief. I usually start rooting for all the characters to die, but not everyone’s like me.

My latest excursion into this genre was a doorstopper- someone gave it to me; I wouldn’t pay money for this- about a woman who married a small-time thug that became a big-time thug in the Anglo-Irish mob. The whole thing was a multi-generational mess of abuse, violence, and addiction, and judging from the blurbs for some of the author’s other books, she has mommy issues. The male characters aren’t good people by any means, but the women are an insidious mess of ickiness who screw up their lives, make bad decisions, and sometimes come out on top, because the plot says they have to.

These literary train-wrecks hit a little harder than I expected, because one of my WIPs is about a female character who goes through some pretty gnarly stuff and eventually gets a happy ending. With any luck, no one will ever read it and compare it to anything in these ‘dark pseudo-biographies’ I find so cringe-inducing.

For heaven’s sake, people, I’m begging you: don’t do it. A story can pack an emotional punch without being slimy. Write about characters that don’t make you or your readers want shower after every chapter. Not every character has to be Captain America, and it takes real skill to make a character like that interesting, but let them be about as good, or a little better, than a normal person.

7 responses to “As Good or a Little Better”

  1. Interesting observation. I remember some writer from the 80’s (no I don’t even recall his name, but his books were apparently popular) explaining how totally despicable his main character was. I could only feel sorry for the author while shaking my head that anybody would want to write such a thing and certainly that anyone would think it was good promotion for this man to explain his horrible psychosis to promote it.

    I’ve not come across any books like that. Maybe I just am able to totally avoid them. But it does bring to mind the British mini-series MobLand vs. the American mini-series Tulsa King. Both involve gangsters and their family relations, but the former is all utterly despicable characters. The latter involves characters with a twisted view of honor but characters who are at least trying to follow a code of ethics that they perceive as a means towards a useful end, however misguided it is. I couldn’t bring myself to watch MobLand beyond the first two episodes, but I find myself watching Tulsa King despite its characters many flaws.

  2. That sounds like someone read a description of grim-dark genre fiction [waves at Warhammer 40K] and thought “If we make it contemporary, and show a victimized woman winning, it will empower all women! And sell really well, too.”

    I’ve not seen anything like what you describe at the regional new book bookstore, but I don’t cruise the contemporary fiction and romance shelves. The front tables seem to be crime, romantasy, Japanese and Korean light urban fantasy, dark fantasy, women’s sci fi [give me a break already], thrillers, and whatever is the latest push (celebrity books, YA, beach reads, and so on).

    1. Warhammer 40k is, first and foremost, a war game. Making all the factions gray at best means you can delve into the technical aspects of the war.

      But for the books, Dan Abnett observed: “In the grim darkness of the far future there is more than war. There are real people there too.

  3. First one of those I really noticed was the movie ‘The Grifters’. I called it “A dirty little movie about dirty little people, and when most of them die at the end, you don’t really care.”

    Of course Hollyweird made a big deal of it, praising the acting and cinematography. I said it was like putting an expensive suit on an unwashed wino.

  4. The word “good” has many meanings. For example, if a man were to shoot his grandmother at a range of five hundred yards, I should call him a good shot, but not necessarily a good man. ― G.K. Chesterton

  5. I believe many of the readers for these books are trying to make their own lives better by comparison.

    That is, “her” (fictional character) life is worse than mine.

    Worse is if Reader of these types of books says “her life is worse than mine but it came out okay in the end so I don’t have to work to improve my life either.”

    People do identify with fictional characters. Ask any soap opera actor who plays a villain!

  6. There’s a tendency, maybe more pronounced in teenagers and young adults, to wallow in stuff that generates seemingly negative emotions. There’s maybe a male preference for destruction qua destruction, without regard to the emotional fallout except *maybe* physical pain, and maybe a female preference for emotional pain. I saw it in older Bollywood movies, sometimes in certain flavors of anime (generally not very popular in the West but sometimes sneaking in under the arthouse banner), in the Russian literature I was obliged to read in college (I’m not even sure who made us read Crime and Punishment anymore, but a very sarcastic thank you to them), in the Victorian literature that occasionally crossed my path. Maybe it has something to do with what the Greeks called catharsis, I don’t know.

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