As it turns out there are many ways to say those three words. When it comes to some of the more famous (infamous?) here are two:
I know.
As you wish.
I was torn about doing a Valentine’s post. I’m likely not the person to be writing about romance. Not because I don’t write romance. I do, and will do so again (no one stop me!) but because Romance with the uppercase as a genre is a complex beastie I am still learning. It’s a fascinating blend of biology, psychology, and entertainment. It is also, for some people, how they pick up their understanding of what the romantic ought to be. Which is why those two lines, from different sources, hit like they do.
Mostly, what those who came up with romance novels think they want to hear is I love you. However, there are as many ways to say that as there are people. In real life? The most romantic gesture may not look like one beyond the person who is making it to the person who receives it. And if the recipient does not receive it, well, that’s a sign the relationship has a profound mismatch and may not last. No, I’m not really talking about the 5 Love Languages, although believe it or not I had to study that in an actual college class and no, it was not as a bad example. There’s some usefulness in it, if for no other reason than it teaches young’uns (we were all in our teens at the time, or not far off it) that there are more ways to say I love you.
In romance, then, which is a genre which seems to subsist on tropes, the three words are the goal of much of the plots. They must be said, and reciprocated. Personally, I think it’s more fun to have the characters act it out (not like that! Geesh… not all romance has to have steam fogging up the windows) before they say it, if they say it at all. A really solid partnership will form, and then, you get the words. Mainly, if you play it right, for the readers. The characters will know. I know.
Speaking of tropes, I was asked to write about them for Caroline Furlong’s blog, and I analyzed my last romance novella for what it contained. I can’t consciously steer a plot through all the desired tropes, but knowing what it has after the fact allows me to set up my keywords and marketing for more success of the story reaching readers. Romance readers have become canny about tropes, have favorites, and will use them as shorthand in searching to find new books they will enjoy. So it’s very useful to know (after the book is written) what tropes your work contains.
It is also useful to know when to invert the tropes. Signaling commitment with the three words might be something your characters don’t do. That will hit differently than a close-locked embrace and murmured words meant for only one other pair of ears.




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