The long-running social media hiatus continues with another repost – the second part of the Extreme Pantser’s Guide – and yes, I do read the comments, I just don’t stay online long enough to answer them all. Or any of them, some weeks. Y’all do a lovely job of carrying on the conversation without me, though, so I’m not fussing.
So, you’ve got the typical pantser problem of a neat scenario that’s grabbed you and won’t let go. How do you know when to start writing it and commit to a story?
I’m going to get really authoritative here and say “it depends”. Really, it does. I’ve started stories with nothing more than the scenario and had them build to a finish. I’ve had others I couldn’t start until I’d worked out how it ended. I’ve also had – not so often – cases where the starting scenario isn’t where the book actually starts, but I’ve got to write the bloody thing to work this out. On occasion, I have to know exactly where it starts before I can write it. This is one of those things that you learn by judgment, and by trial and error.
Yes, that does mean that the more extreme the pantser the more likely there’ll be a large collection of false starts, whether story ideas that didn’t have the pull they needed or weren’t quite right in some other, hard to define way, or ideas that simply weren’t big enough to sustain a book. Don’t throw them out. If your subconscious works anything like mine, unresolved story ideas will hang around like last week’s chili until you figure out where they belong and resolve them. That or they were never really “alive” in the first place.
Most of the pantsers I know operate on a principle of “Start story. Continue until the end.” It’s pretty typical for a pantser not to be able to write out of sequence, simply because if you can’t do the detailed outlining (or the detailed outlining ends up bearing no resemblance to your finished story) there’s no way the ‘good bit’ halfway through is going to end up being the same as what you thought it would be at the beginning – if you even know what that good bit is.
Given all of this, my advice to all you pantsers out there is to get something down as soon as you think there’s enough to carry it. It doesn’t have to be right, it just has to be there. What nailing something down early does is give you a feel for how the piece is going to evolve on you, and this being a primarily subconscious exercise that’s rather important.
While you’re playing with the idea, listen to a lot of different music. I’ve found that certain music acts to ‘set’ my subconscious for writing a piece. I’d also recommend prayer, if you’re the praying sort. I haven’t had this happen to me – yet – but I know people who’ve found themselves stuck with endlessly looping Abba’s Greatest Hits to write something. I gather this gives the conscious mind a pretty powerful incentive to get the thing finished, too. At any rate, the broader your listening, the more likely you’ll find something that works for your story.
For most pantsers I know (and if you’re an exception to this, feel free to ignore it), I’ve found the best way to start is to park butt in chair and start where you think it starts. Sometimes it will take off and you’ve written several chapters without realizing the passage of time. Other times you’ll need more before you can get moving. In either case, you’ve started. No amount of playing with an idea can reify it the way writing it down does.