Mirror, mirror on the wall, who is the most hapless of them all?
I don’t know, but I’d bet real money it’s a writer attempting to sell books.
Look, people, I’m not casting shade. When it comes to this topic, I’ve seen the clueless and it is I.
Just recently younger DIL pointed out that it’s possible I don’t see a bump up in my sales after cons, because I go out in public, I am cute, I am charming… I completely forget to say something enticing about my books that might make people want to sample them. Heck, I often forget to mention I write books at all, unless I’m directly asked.
I will confess about that one that I got seriously tired of sitting in panels with newbies who wouldn’t let anyone else talk, while they ranted on and on about novels that didn’t sound at all interesting. It’s not that I’m modest. It’s that I don’t know how to talk about the books without sounding boring.
[If younger DIL reads this? Aye aye, capitaine, I will indeed learn. Not the glare!]
Thing is, that yeah, most of us — present company very much included, possibly with bells on — have no idea how to promote.
But there are basic things.
Take your name on the book cover, for instance. EVERY writer ever born makes it too small, left to his/her own devices.
No, seriously. I was doing it too until I was walking around a local book show. The only people with tiny names on the covers are the “literary and little” presses.
If you’re not writing about the heartbreak of brucitis of the cleaning lady’s knees in iambic pentameter, your name shouldn’t be tiny on the cover. In fact, do consider looking at the covers of bestsellers for inspiration on how big your name should be.
And right now you’re looking at the screen and saying “oh, silly Sarah, people don’t measure the names.”
No, they sure don’t. But most decisions on whether to buy or download a book are made at a subliminal level. People don’t think about it.
This is even worse looking at the image in thumbnail. You might not even be able to read the author’s name very well, and will have to look at the data on the side, but you get the “impression” of what kind of book it is. Whether it’s professional or amateurish, whether this might be a book they want to look at, etc. etc. etc.
In fact, the first thing to understand is that you’re not selling to people like you.
For instance, I keep running into people that say “I don’t even look at covers.”
Yeah, that’s super cool. But 99% of the people do. They look at covers for an impression of whether you spent enough time/attention/paid someone who spent enough time and attention, or you’re an AI bot from China putting put 100 books a day.
And on that, no the Amazon “cover maker” is not good, unless you’re putting out a textbook of some sort. And even then there are better things.
The thing is that even the people who tell me that they don’t pay attention to covers, do. Some of them are close enough to be good friends/family. And they consistently pick the better cover for what they’re looking for and flip past the others.
Because the others mean “I don’t care about this book, and the contents are probably random stuff from other people’s blogs, or perhaps AI generated variations of Mary Had A Little Lamb.” It’s just the decision is made by the dinosaur brain before it gets to the conscious. NO ONE ever bought a book by going “Which cover is prettier.”
Exceptional covers might sell the book, but most covers aren’t — and don’t need to be — exceptional. Just “don’t put the reader off”.
We don’t need to go over covers here, just signal genre, make it look contemporary (unless you’re selling revived books that are out of print) and make it pleasant and if possible attractive.
AND MAKE YOUR NAME BIG ENOUGH.
While at it, another way people aren’t like you is prices.
What do I mean? Well, you have writer money. I have writer money too. It ain’t much. I feed my wicked reading habit mostly from KU subscription, because my husband finds them on sale. For more special stuff, I tend to buy kindle too. It’s cheaper. Most of what I buy on paper is for really special stuff because it’s two costs: higher price, and I have to store it which means …. more bookcases.
Anyway moving right along, other people aren’t you. Or me. There are a large number of people out there whose book budget — you won’t believe this — is far, far in excess of $20 a month.
More importantly there are people who will perceive your very cheap book as trash, because it is so cheap. If it were good why would you sell it so cheaply?
I mean, back in 2011 for a brief shiny moment, the way to sell a million dollars in books was to price the book at 99c. … and win the lottery. Because, seriously, there were hundreds of thousands of books at that price, and three? made a million dollars.
And then the sheer overwhelming not very good of all those books at 99c associated 99c with “trash.” But to an extent it is that way anyway, because … well, because books aren’t cookie bags.
Say you love a certain brand of cookies, and you find it on discount. You’re going to buy a few extra boxes, because sooner or later you’ll eat them. (Or give them to your favorite sugar addict, or whatever.)
And mind you, if you are buying your favorite author and they’re running a sale, you likely buy a … copy of books you haven’t read yet.
But you don’t run out and buy six of each book. Why would you? Even if you give a couple of copies to friends, you do not keep copies around to read later, because you only read one copy.
Sure, run a cheap sale a year (or two sales a year) to pick up some people who haven’t read you before and make a few extra bucks.
But for your bread and butter, don’t go cheap. Not only do cheap books not sell as much, but people assume you must not care very much, which means they think you don’t care about the contents either…. and so they will leave you awful reviews.
I haven’t given away books in years, because either people don’t read them, defeating the purpose, or they read them with an eye to finding problems and give me lousy reviews.
Oh, and for paper covers? Before you price your book, go look at the prices in your local store. No one picks up paper books for cheap unless they’re used. Paper books, at this point, are collectibles. Cheap collectibles… aren’t.
So, value yourself.
Take a look in a mirror. Who are you? You’re a writer. And you’re a dang good one. And you have to value yourself as such.
Don’t sell yourself cheap.





11 responses to “Mirror Mirror On the Wall”
Well said.
As a super reader I must agree with Sarah. The first thing I look for on a cover is the author’s name. I get annoyed if it doesn’t jump off the page. I think the font size should be around 2/3 the size of the title.
I’m not poor, but I am cheap–so I’ve been using kindle unlimited. I’m thinking about dropping it. Instead, I use the preview feature. If I enjoy reading the first 15-20% of a book I will happily shell out $5-10 to read the rest. If it’s a good series, I’ll keep paying (daily) unless it becomes boring or too formulaic.
I find that I quit reading free books and series even faster. No investment; I’ll walk away in the middle.
I’m thinking of dropping it for my books. The only reason not to drop it as a reader is that … mumble…. mumble …. mumble…. Okay, find, I read a lot of Jane Austen fanfic. Mostly because I don’t want to get captured by a can’tputdown at bed time. So the evening book is usually fanfic, and 30 to 40 a month would leave a mark. Besides, they’re popcorn. I don’t want to keep them.
I did that when I was starting out. Now I put the byline in the same size as the title.
I’d say I needed three clones to do everything I need to do . . . but they wouldn’t want to do new covers, update back matter, check that ISBNs are registered, marketing . . . and reprice . . . either.
I need to be rich so I can hire a secretary to do all that, so I’d be rich enough to afford a secretary to do all that . . . For some definition of rich which few others would consider rich, but . . .
While not rich, I’m trying to make arrangements for the publicity and such. The rest I do myself. BUT if I could afford someone who would JUST do everything else, including showering and eating for me!
And sleeping. Such a waste of time sleeping.
Showering, sleeping (and grocery shopping, cleaning, laundry…).
Not eating, though. That’s something I can (and do) do while reading. Sit down at the table meals are only for holidays/special days now.
Yep. Make your name LARGE enough on the cover to be easily spotted.
There are certain authors books I buy solely because they are by that author. Sarah Hoyt and Dave Freer. I see a new tile by either of them and I buy it. In some cases I buy it even though a review copy is coming (looking at you Dave Freer), because I don’t want to wait until the free copy comes.
I doubt I am the only one who buys authors. A lot do. If they buy them in bookstores (some people prefer brick and mortar shopping) they look for names more than they look for titles. If your name isn’t clearly visible you may have lost a sale.
But I am not in that category you say? Well, maybe not yet. John Van Stry was not on my always-buy list in 2022. Then I read Summers End and Stand Alone. Now he is. (While his name is not as big as the title on the cover, it’s plenty big.) That is what you as a writer should aspire to. Getting on a reader’s always buy list, and once there your name becomes as important – or more important than the cover. People buy authors because they know they are going to get their money’s worth from that author.
Many of my books are from the MGC (and/or N Tx Troublemakers) stable, and a glance at the ‘zon thumbnails says they pretty much have the name well placed and sized, at least for the novels. Understandable for smaller print for the anthologies
I was surprised to not see Kurt Schlichter’s name prominent on his new book. OTOH, it’s a) a collaboration a1) with another author I don’t know, and b) a new genre, but his name should be up there. Moe Lane’s name is a bit too small on his latest book; I hope they get the hint.
If it doesn’t look like the author is proud of their book, why would I waste my time?
Take proper credit, and value your work appropriately.
Yes, I look at covers. I freely admit there was an author back in the ‘90s who did her covers with watercolor pencil in a fantasy Scottish theme, and I picked up her first book simply on the strength of the cover. And after that, I was happy that the distinctive art style made her books stand out for easy grabbing. (Can’t remember what her name was for the life of me. I wonder if she ever did anything else.)