One of the features of a long series in a created world is that you have room to build an elaborate and convincing place with a bunch of interesting characters.

One of the drawbacks is that the readers forget it all in each new entry, or are bored by having it explained to them all over again.

Sigh…

I think of this as a sort of virtual set of play properties — all the characters, settings, and props that any show accumulates. They fall into bundles, according to their importance and their relevance for each new performance.

Over there is the stage set of basics for how the world operates: magic rules, technology, environment, laws, customs. They reinforce themselves with each new show, so the full details can get reduced over time, until just the name (e.g., “Discworld”) brings it all to mind, and the props get dustier and less in need of explanatory presentation as the show goes along.

Over here, on the other hand, are the piles of characters, each in its own set. In this bundle, you have the primary heroes, their social penumbra, their families & friends & pets. They’re the most vivid players in your world, and the hardest to forget, so all you need to do is brighten up their costumes and dust their props so they can strut their stuff in each show.

Back in the corner are the walk-ons. The ones that have successfully negotiated their contracts keep returning as longer-term villains, loveable rogues, friendly shop-keepers, pitiable peasants, corrupt politicians, and visiting travelers. The quieter cluster smoking in the back by the costume racks is comprised of the unassigned extras, hoping to get noticed with a bit part. All of these only get repainted as necessary, and there’s always the hope of getting to continue on with the show.

But how is the poor reader to remember all of these bits and pieces, animate and otherwise, without an ever-increasingly fulsome re-cap?

The world rules are self-reinforcing with each new performance, so you can eventually stop pointing them out (and in “real” worlds, a lot of that can just be assumed). Institutions (a mid-point between “world rules” and “characters”) can get filled in as needed (church, government, guilds, military, etc.) But what I worry most about are those continuing characters who don’t make an appearance for each show. When they do turn up, you may need to remind readers all over again about their history in the story, their relationship to the main players, and so forth, using the lightest touch you can to do the job.

Not an easy task, especially when the books in a series may have been published with significant delays between entries.

The temptation (always to be avoided) is to over-explain for continuity, just in case. Doing a better job of implying the past rather than stating it out loud is always desirable. Scatter the reminders as necessary in pieces, with a light hand.

For a master class, I point to C J Cherryh’s Foreigner series.

How do you handle these multi-entry series issues?

7 responses to “I don’t remember any of this…”

  1. I think for an author it would be good to have a “bible” to go reference about what each of the introduced characters does or is so that it’s easier to keep the continuity of a story/series. There are quite a few online versions that fans have put together for popular series, and I could see an author starting something like that on their own before a series takes off.

    I think Tony Hillerman did well with his occasionally returning characters, though I think one might have moved at one point. I haven’t read the Foreigner books yet (I do like Cherryh’s writing and have read some of her other stuff) so I’m not as familiar that that. There was one series that I really enjoyed, but it had an issue where it made reference to a future-flashback in one book that couldn’t have happened as the character was killed off later in series.

    1. Bibles are wise for even rather short tales, but you never know when you forgot to put down what crucial detail. . . .

    2. A caution on the Cherryh… The series I esp. recommend is Foreigner (22 books and climbing), but beware of book 1 which is in 2 parts: older history / present day. It’s not very clearly delineated why the 1st part is there, and many readers do not go on. I promise you it will make sense later. 🙂

  2. I appreciate that Amazon now has a ‘Buy the first X’ setting for long series…

  3. Stanley Miller Avatar
    Stanley Miller

    I appreciate a “How we got here.” preface that I can look at if it has been a while since the last book or skip if bingeing a series.

  4. It’s useful to have someone familiar with the occasional character, and someone who needs an introduction.

    “Do you know Easterly? He was the commander of the my spy group on the One World, and is still my immediate superior in the King’s Own Intelligence Division.”

  5. I try to write my Future History novels as stand-alones, so that a new reader isn’t confused, but older readers can still have the experience of revisiting familiar characters, alien worlds, etc.

    Lois McMaster Bujold does a good job of this with her Miles Vorkosigan novels.

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