Violence, and violent action, can be difficult to portray. Yet the ability to do so is a necessary part of the fiction writer’s repertoire. Violence is a part of the human condition. If we hairless apes have learned anything in the last 5000 years of existence on planet Earth, it is that violence is a part of the human condition. Thus it becomes us to study the best examples and see how we can go about doing the same.
Posts by Jonathan LaForce
If you haven’t seen Ford vs Ferrari yet, you need to correct yourself. Yes, it’s a car movie. No, you don’t need to know a great deal about cars. Hell, go in knowing nothing. Because in the end, this movie isn’t about cars. It’s about men. Being men. Doing manly things. Without being negative! You heard that: Hollywood has delivered a wholesome movie about men! In the prescient words of Tychus Findlay: “Hell, it’s about time!”
I consider David Drake largely responsible for my ambition to write. As an enthusiast of history, I am impressed by where he finds inspiration for his novels- from the annals of human events. We need not try to conjure up something incredible purely off our own inspiration and energies. Great men and women have performed such deeds as stand paramount in recorded existence.
Sit, kneel, bend. Smoke ‘em if you got ‘em. We gonna be here for a minute.
Last month, we talked about telling the stories of combat veterans as they really happened. Without whitewashing or varnish. Without embellishment. Without lies.
In the third-to-last paragraph, I make mention of sitting down and talking with veterans. Over the last month I’ve been looking around and realizing nobody has ever explained how to talk with veterans, as a writer looking for technical (and personal) knowledge about the profession of arms. Today, we’re gonna start down that rode.