Real life is being real. Which means it isn’t letting me have any time to sit and blog — actually, it means I’m dealing with contractors who don’t know the meaning of being professional right now. So the post is going to be delayed until afternoon. In the meantime, toss out some suggestions on what you’d like me to blog about.
In the meantime, here’s the cover mock-up for Fire from Ashes, the next book in the Honor & Duty series, that Sarah did for me. Read more
(Brad is away from his keyboard today so I pulled this post of his from January 2017. It is as timely now as it was then. — ASG)
Not very long ago, the intarwebz — or at least that part of the intarwebz which is fascinated with all things authorly — became infuriated over this toss-off commentary from the Huffington Post. Now, toss-off commentary is not surprising at HuffPo. In fact, one might say that toss-off commentary is HuffPo’s raison d’être. Articles like this are supposed to inflame. HuffPo wants clicks, and caterwauling. That’s how HuffPo functions. And while men far better than me have taken the commentary to task, I think it’s worth pointing out that the article does bring up a very valid question, which lurks in the shadows at every author workshop, convention, kaffeeklatsch, and bar conversation: when will each of us know we are legitimate? Read more
The other day, I opened one of my social media accounts to the chest beating and teeth gnashing of a number of authors. No, it wasn’t a mass rejection by publishers that caused their angst. Nor was it news that their Amazon KDP accounts had been canceled. It was the sound we hear every couple of years when Amazon decides to enforce its terms of service when it comes to reviews and authors — and other product suppliers — suddenly realize their review numbers have diminished, sometimes drastically.
In a conversation with several author friends about this last night, I wondered if I was odd. Okay, okay, I know I’m odd. I meant more odd than I already knew. You see, other than occasionally checking my reviews to see if there’s a common thread in them, I don’t pay that much attention to them. Don’t get me wrong, I appreciate every review I get. But like many writers, I’m insecure. Putting a new book out is like shoving my baby out into the world on his own for the very first time. I’d much rather keep him home and safe, whether that’s what he wants or not. When it comes to writing, it is too easy to obsess about negative reviews or to start to believe the positive ones — if that happens, it can keep a writer from turning a critical eye to their own work. Read more
Anyone who has been a long time follower of the blog knows that we don’t believe that there is any one “right” way to write. Everyone’s process is different and, if you’re like me, that process changes from project to project. So, when I came across this post by best selling author John Grisham, I found myself staring at it and shaking my head. Then I laughed and then I got angry. Why? Because he writes about what works for him in such absolute terms that there will be someone who believes it is the only way to be a successful writer. Read more
To support these efforts, we are focused on attracting, retaining and developing top talent throughout the organization.I hate to say it but the continuing saga of Barnes & Noble is starting to bear too many similarities to the last year or so of Borders. The upper management makes sweeping statements meant to reassure stockholders. Yet, a close look at those statements shows they contain holes big enough to drive a tank — or a fleet of them — through. New agendas are announced and new programs put into place. Yet nothing really changes. Why? Because the suits at the top simply refuse to understand the changes in the industry and admit they’ve screwed up and need a new playbook.
The first misstep is the announcement of the new “book club”. Now, book clubs in bookstores is nothing new. In fact, locally owned bookstores have had them from the beginning. I can remember times when book clubs met at our local B&N. But this one is “different”. How? First, it’s “seasonal”. (Whatever the hell that means because the first title doesn’t yell “summer” to me.) Second, every B&N across the nation will be having the same book club/reading the same book at the same time. Oh, and you’ll get free coffee and a cookie. Whoopie — not. Read more
Its finally here. Today is release day. Light Magic, the second book in the Eerie Side of the Tracks series, is available for download.
When Meg Sheridan arrived in Mossy Creek, Texas, she had one goal in mind: to fulfill her mother’s dying wish. Now, less than a month after burying her mother, all Meg knows about the town is that it has always been a haven for the Others, even before they made their existence known to the world. As an Other herself, that should reassure Meg. Instead, it raises more questions than it answers. More than that, she has one very large problem. She doesn’t know why her mother wanted her to come to Mossy Creek. Worse, she soon learns not everyone is willing to welcome her with open arms.
Faced with the daunting task of discovering not only why her mother sent her to Mossy Creek but also with uncovering why her mother fled there years before, Meg is determined to find the truth. Along the way, she discovers something else. Even in death, her mother is looking out for her – if Meg will let her. Read more
One of the most frequent comments you’ll hear when you ask someone why they want to sign a traditional publishing contract has to do with the “services” they get from a publisher. Next to distribution to bookstores, probably the most often quoted reason authors want a publisher is so they have an editor. They trust the publisher to make sure their book goes through not only content editing but also copy editing and proofreading. Because of that, they don’t worry as much about turning in a publication ready manuscript as they would if they were going the indie route.
It doesn’t matter if they are talking about a small press, mid-sized press or one of the Big 5. Too many authors believe the hype publishers try to sell – that they will get the kind of attention you see the Castles or other fictional authors receiving. Unfortunately, just as they won’t get the sort of promotion and push they see in fictional settings, they also aren’t guaranteed the level of editing they believe they’re going to get. Read more