It never fails. You go through your manuscript. You catch the big problems (the six-foot tall bad guy becomes five-foot-one three chapters later), fix the continuity problem (She got married two books ago. What’s a fiancé doing here?), have eagle-eyed copy-editors track down the lingering hints of older sentences and verbs that had switched tenses mid-paragraph.
Your formatted text is perfect. You upload the book. All is well. You download the book. You open to the first chapter. . .
Arrrrrgh! Read more
I’m on the road without internet, so I apologize for today’s post. If you find yourself in moderation, please be patient and I or a moderator will spring you as soon as we can.
I’ve also been battling edits. Yea verily, I am proof that one should write in haste and edit/revise/tweak at leisure. Because land-o-Goshen am I having to slow myself as I work through the edits on the next release.
And to prove that the Great Author has a slightly warped sense of humor, this hit my in-box this week:
How to Know What to Cut from Your Novel.
This is a guest post from the friendly and talented Joe Monson. I had asked a couple of people I know who had managed anthologies, and Joe got back to me with the following post. Hopefully it will be helpful if any of you are considering herding cat… er, putting together an anthology!
Taking Out a Contract
I’m fairly new to the writing and editing scene. At the time of writing this, I have only one published short story and one published anthology (as co-editor) to my name (though a couple are out for consideration by editors and publishers). So, I can’t say that I have years or decades of experience to my name. Read more
A meme floated across my media feed the other day. It went along the lines of “when you’re done writing the story, the real work can begin: editing!” I’ll be honest: it pissed me off. I’m still a bit tetchy about it. I think it denigrates the creation of stories, and plays right into the large publishers vision for writers as penitent petitioners, asking to please, please, please be considered for the great honor of being allowed to be published. Read more
Life in Fortress Dave proceeds apace. Like usual. Wee Dave was remanded into my care when his teachers wouldn’t have him in class anymore, ever, for a few days at least. Of course, they refused to have anybody in class, so he’s no more special than he was, but Writing Time turned into Man Time while they had professional time. What about Dave? What about Dave’s professional time? *shakes fist*
One of the most frequent comments you’ll hear when you ask someone why they want to sign a traditional publishing contract has to do with the “services” they get from a publisher. Next to distribution to bookstores, probably the most often quoted reason authors want a publisher is so they have an editor. They trust the publisher to make sure their book goes through not only content editing but also copy editing and proofreading. Because of that, they don’t worry as much about turning in a publication ready manuscript as they would if they were going the indie route.
It doesn’t matter if they are talking about a small press, mid-sized press or one of the Big 5. Too many authors believe the hype publishers try to sell – that they will get the kind of attention you see the Castles or other fictional authors receiving. Unfortunately, just as they won’t get the sort of promotion and push they see in fictional settings, they also aren’t guaranteed the level of editing they believe they’re going to get. Read more
I know I promised the next installment of “Know Your Genre” today but I’ll be honest. I’ve been too busy to write the post I want to. It needs a bit more research than I’ve had time to do. So I will be back later this week with the post. In the meantime, there’s been some news out of Amazon this month that should be of interest to all the indies out there. Also, for those who, like me, prefer tech over old-style but who still find it easier to edit with pen and paper, I may have a new option for you.
Last year, Amazon began offering a beta program which allowed indies the option of creating print books through their KDP program instead of going to Createspace or one of the other POD options currently available. The pros for the new beta program were simple: 1) you could upload your pdf files directly to your KDP dashboard instead of going to another site to do so; 2) your digital and print books linked automatically; and 3) you didn’t have to charge as much in order to get a royalty. All of those were great but there were drawbacks. It was a beta program and we didn’t know how long it would be before Amazon decided if it would stick with it or not. It did limit distribution somewhat. There were no print proofs offered and, the big kicker as far as most of us were concerned, authors could not order at a discount. Read more