An illustration from a book by Maximilian II Habsburg. Author photo.
That’s the basis of Kris Rusch’s piece Rethinking the Writing Business: Part 1 over at Kris Writes. We authors are looking at ourselves as publishers, or working with publishers and trying to match their take.
Nope. Wrong. Too limited. Read more
Last month, PBS wrapped up a costume drama based on Victor Hugo’s Les Miserables. It was very well done, although I got impatient with some of the characters for the same reason I got impatient with them when I read the novel. Hugo wrote for a different time and different readers.
But the character of Inspector Javert remained one of the most intriguing. In part, this is because he was the first antagonist I ever encountered in screen, as opposed to a villain. I was probably 6 or 7 when I first saw Les Miserables. It was on TV, on a Saturday afternoon, when they ran Dumas and Hugo dramatizations. Javert’s actions didn’t make sense, and my poor parents had a lot of difficulty trying to explain them in language a child would understand. Later, after the musical came out and I read the entire novel, he made sense.
Javert is virtue turned to vice. Which makes him such a fascinating antagonist. Read more
[Alma Here. I’m away from the internet, so please be patient if your comment gets into moderation or I don’t answer. One of the other mods will free your comment from limbo (or purgatory, if it was naughty).]
Some writers, or at least the names assigned by publishers to a series, don’t end. If you have any question, look at the shelf of westerns at your local bookstore, and if you get to # 400 with the same author and character, you can be pretty certain you’ve found the Eternal Series. In other cases, the publisher says, “No, you have to keep going, because these are too popular to stop now!” You’ve encountered those, I’m sure, where the reader can tell that the writer dreams of killing off the protagonist just to be free of him or her. And there are the series that stop abruptly, leaving reader and characters hanging because the publisher decided that the series wasn’t producing. For indie writers, or those with more flexible publishers, we have to decide for ourselves. It can be a little difficult. Read more
From over at PG’s place, the dreadful tale of a publisher-relationship that went badly wrong for the writer. Short version – he got stiffed and was not paid what he was owed.
Dan Rhodes got curious about why one book wasn’t earning anything. Here’s the first part of the story, and the publisher’s explanation: it was all a mistake.
Rudyard Kipling wrote several great poems about wanderlust and the itch to look over the next hill, including “The Long Trail.” We authors are more interested in the long tail, the sales of our earlier books. We want new readers to have access to our older work, to buy them, enjoy them, tell others about them. Long tail sales can yield a pretty penny over time, and can lure new readers in as well.