Thanks to Sarah for filling in for me yesterday. Family always takes precedence over blogging and my son is home on leave.
This morning, as I was talking with Kilted Dave about what to blog about, I came across a post from an author wondering if they should change how they write. No, they weren’t talking about their writing process but more the length of what they sell. They were noticing how some authors are releasing titles every month or so but that those titles are shorter works. So they were wondering if they needed to move away from novel-length work to shorter work in order to sell more.
My first response, after beating my head against the proverbial wall, was shake my head. Yes, it hurt to pound it against the wall and I needed to clear the cobwebs. But also because you can’t judge what is right for your work by what other authors are doing. You have to look at each individual work and decide what length best serves the story.
Oops, there I went and did it. I said the icky word: story.
Let’s face it, story is what we need to be worried about. Have we written enough, well enough to not only give the reader an enjoyable and engaging story or plot but also characters they can identify with and cheer for or against? If we haven’t, it doesn’t matter how long or short the piece is. Without that development, it won’t sell for long and you certainly won’t garner the sort of reviews that help other readers decide to buy your work.
There is something else to consider when you are looking at how long a story should be and that is the way you write. Not everyone is a natural long fiction writer and not everyone finds writing short fiction easy. I can take almost as long to write a 12,000 word piece as I do a 100k word novel. Why? I’m not really sure. Well, in one way I am. You can’t go into as much detail, have as many scenes and sub-plots in a 12k word piece as you do in something longer. So you have to pare it down to the essentials — plot, character, message (if you have one).
Now, Amanda, you can release a novel in serial form.
Yes, you can. But what about the reader who accidentally misses one installment? Or what happens when your reader realizes that those $0.99 installments or episodes are suddenly costing them as much — or more — than a traditionally published e-book? I quit doing episodic fiction as a reader when I realized that the novel when and if it ever finished was going to cost me much more than I am willing to pay for an e-book.
I also realized that a number of authors releasing their work as “episodes” really didn’t get the idea behind serials. They hadn’t spent time reading the serials from magazines like If and Analog back in the Golden Age of SF. They hadn’t watched serialized shows like Flash Gordon and others (no, I’m not THAT old but they used to play them late at night on the weekends). There is an ebb and flow to a good serial that most of those trying to do them now simply don’t get.
The basic lesson is you have to give the reader a reason to come back and pay you more money to keep reading your work. Going hand-in-hand with that, for me at least, you have to prove you are going to finish the serial. I do NOT want to spend $0.99 or more per episode only to have the author decide in the middle of the thing that it isn’t worth finishing. Then there is the problem of making sure your reader remembers to go grab the new episode when it comes out. Unless you have figured out a way to make a subscription to the serial work, you run the very real risk of losing readers simply because they don’t remember to go back each month to grab the new title.
So I will repeat the rule we’ve all been told who knows how many times. A book or story is as long as it needs to be. Quit putting artificial word count limits on yourself without taking the plot of your book into consideration. Anyone who has been around short story writers knows the agony they go through after writing a story and then having to cut words to meet a word count requirement for one publication or another. There are times when they have to say the market they initially wrote the story for won’t work because they can’t cut it any more than they already have.
Also, don’t go into a project with the mindset that you think you only have so many words in you for it — ie, you don’t think you can write more than x-number of words — and then limit yourself to that number. I have known writers who, before they have put the first word down on paper have said they really don’t think they have more than 40k words in them for a certain project. What always happens is they either wind up not giving the reader the description the reader needs to truly enjoy the book or they rush the ending — something that is very noticeable. If you have spent 38k words building up to the climax of the story and then you have the final showdown and the cigarette moment in 2k words, you have probably just done your reader a disservice.
In other words, don’t worry about what other people are doing. Yes, there will always be writers out there who write faster than you do. They may write long fiction or short fiction. It really doesn’t matter. All that does is putting out the best work you can.
And now, for the mandatory author promotion. Nocturnal Rebellion will be released in the very near future. To help ramp up for its release, I have lowered the price of Nocturnal Origins, the first book in the series to $0.99.
Some things can never be forgotten, no matter how hard you try.
Detective Sergeant Mackenzie Santos knows that bitter lesson all too well. The day she died changed her life and her perception of the world forever.It doesn’t matter that everyone, even her doctors, believe a miracle occurred when she awoke in the hospital morgue. Mac knows better. It hadn’t been a miracle, at least not a holy one. As far as she’s concerned, that’s the day the dogs of Hell came for her.
Investigating one of the most horrendous murders in recent Dallas history, Mac also has to break in a new partner and deal with nosy reporters who follow her every move and who publish confidential details of the investigation without a qualm.
Complicating matters even more, Mac learns the truth about her family and herself, a truth that forces her to deal with the monster within, as well as those on the outside.But none of this matters as much as discovering the identity of the murderer before he can kill again.
I have also started working on the “Special Edition” version of Vengeance from Ashes. I’m really excited about this project. These special editions will include new material and it has been fun planning them and, once Rebellion is out, I’ll be working on them in the evenings after the days are spent writing the next book in the series. Well, not really writing as it has been drafted already but taking a very rough draft and making it publishable. Then it will be on to the next project, whatever it might be.