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Posts tagged ‘Indie authors’

2nd Annual Indie Author Labor Day Sale

Indie Author Sale Banner

A curated list of authors selected works and put them on sale, just for readers like you. If you’ve been waiting for the next fun read, or for a reason to Read Indie, this is that time. All the books are priced between $2.99 and $0.99, affordable ways to explore new worlds.

You will find this a list spanning genres from Fantasy and Science Fiction to Thrillers and Romance. Something for every reader in your life, if you are looking for back-to-school gifts.

Enjoy!

take the star road

Take the Star Road

By Peter Grant

Sale Price: $0.99

Blurb:

By facing down Lotus Tong thugs, Steve Maxwell earns an opportunity to escape orbit and become a spacer apprentice on a merchant spaceship. Sure, he needs to prove himself to an older, tight-knit crew, but how bad can it be if he keeps his head down and the decks clean?

The interstellar trade routes are anything but trouble-free, with local wars and plagues of pirates. Also, the jade in his luggage is hotter than a neutron star. Steve’s left a world of troubles behind, only to find a galaxy of them ahead…

Amazon Author Page

long way homeThe Long Way Home (Sequoyah book 1)

By Sabrina Chase

Promo price: $.99
Blurb:
Moire Cameron ran to protect her secrets — ran to the heart of an interstellar alien war. Her fellow mercenaries care only about her fighting skills, not where — or when — she got them. You’d think that would be good enough…

But a false name and fake ID can’t conceal her dangerous lack of contemporary knowledge, and they won’t help fulfill her last order, given by a dying man eighty years ago. To do that she must find a reason to live again. A cause worth fighting for, comrades to trust, and a ship to sail the stars.

Amazon Author Page
vengeance from ashesVengeance from Ashes

By Sam Schall

Price: 99 cents for the Labor Day Weekend, down from $2.99

Blurb:

First, they took away her command. Then they took away her freedom. But they couldn’t take away her duty and honor. Now they want her back.
Captain Ashlyn Shaw has survived two years in a brutal military prison. Now those who betrayed her are offering the chance for freedom. All she has to do is trust them not to betray her and her people again. If she can do that, and if she can survive the war that looms on the horizon, she can reclaim her life and get the vengeance she’s dreamed of for so long.

But only if she can forget the betrayal and do her duty.

Amazon Author Page

grey man changesGrey Man: Changes

By JL Curtis

Sale price $2.99

Blurb-

When Texas Deputy Sheriff John Cronin thwarts the Cartel’s plan to get paid to smuggle Muslims across the border, he becomes the target of the Cartel once again. One try fails, but the cartel isn’t about to give up. With his granddaughter, Jesse, still recovering from her last run-in with the Cartel and now far away with her Marine husband on a military base, Cronin only has to worry about the innocents around him.

One way or another, this old school law man plans to end this cat and mouse game for good. But, this time, the Cartel is playing for keeps; ending this war might just cost the old man his life.

Either way Cronin plans to go out on his feet, fighting tooth and nail.

Amazon Author Page

survival testSurvival Test

By David Burkhead

Sale Price: $2.99

Blurb:
War!
A series of diplomatic crises precipitate a limited nuclear war on Earth. Missile defenses block access to space. Nothing goes up and nothing comes down.
The people of the various space stations, the moon base, and a space colony whose construction had just begun must find a way to survive until the war is over.
The ultimate survival test.
Amazon Author page

 

 

outcasts and godsPam Uphoff’s Wine of the Gods Universe 

99 cent Labor Day Sale!

Genetic engineering enabled psychic abilities in the test children. And the ability to control the machinery to open portals between parallel Earths. But prejudice turned into exile across the dimensions, and the escape of the most powerfully “magical” to a world of their own.

It all starts with the stand-alone Outcasts and Gods and continues with twenty (so far) loosely connected stories in the same Multiverse.

Amazon Author Page

Zoey Iver’s YA Adventures

By Pam Uphoff

99 cent Labor Day Sale!

The AI war was deadly—and invisible. Until two teenagers found themselves in the middle of it.

Amazon Author Page

Eyes of OsirisEyes of Osiris

By Anita Young

Price: $2.99

Blurb:

Thanks to the curse of foresight, Dr. Kayara Ingham has had a vision of her husband’s death. While she desperately tries to avert the grim future, she meets a mysterious Osiris Corporation man who gives her an impossible ultimatum. When Kay is forced to choose, she learns that Osiris Corporation is not what it seems. The company is made up of a people that call themselves the Architects of Lore and, like many powerful organisations, their reach is extensive—one might say inescapable.

Amazon Author Page

 

 

acts of warActs of War

By James Young

Price: $2.99

Blurb:

August 1942.  Adolf Hitler is dead, Great Britain is surrendering, and the Royal Family is fleeing to Canada.  In this critically acclaimed alternative history novel, James Young details a World War II that is far different and much worse than the terrible conflict we all know.  Follow the Cobb family as they, and the nation they love, are confronted with horrible events while being swept away by war’s chaos.  If you are a fan of historical fiction, or just like a good yarn with mortal heroes, Acts of War is for you.

Amazon Author Page 

 

 

Pixie NoirPixie Noir

By Cedar Sanderson

Price: $0.99

Blurb:

Lom is a bounty hunter, paid to bring magical creatures of all descriptions back Underhill, to prevent war with humans should they discover the strangers amongst them. Bella is about to find out she’s a real life fairy princess, but all she wants to do is live peacefully in Alaska, where the biggest problems are hungry grizzly bears. He has to bring her in. It’s nothing personal, it’s his job…

Amazon Author Page

 

 

FarmhandFarmhand

By Lilania Begley

Price: $0.99

Blurb:

Wounded veteran Dev Macquire needs some farm help until he recovers. When his father, Gray, brings home a new hand, he’s dismayed to meet Irina. How can a woman do the rough, heavy work they need? As she works her way into their life, and into his heart, he’s faced with a new dilemma. Can he persuade her to stay, and to accept a new role in his life?

 

 

 

cunning bloodThe Cunning Blood

By Jeff Duntemann

Price: $2.99

Blurb:

Caught violating Earth’s Zero Tolerance for Violence laws, Peter Novilio is sentenced to a one-way trip to Hell, Earth’s prison planet in the Zeta Tucanae system. Hell is forever: Two centuries earlier its ecosphere had been infected with microscopic nanomachines that destroy electrical conductors, condemning its inmates to a neo-Victorian steam-and-gaslight society without computers, spaceflight, or any hope of escape.

Amazon Author Page

 

 

Ninth Euclid’s Prince

By Dan Hoyt

Price: $3.99 (dropping to $2.99 some time this weekend, so check the price when buying.)

Blurb:

Welcome to New Rome!

The far-flung heirs of the empire have been called home to the capital of worlds. In these mean streets, no wife is above suspicion, and no man above assassination. With the Emperor poisoned and prince Oswald in jail, Ninth Euclid, a mathematically gifted secretary from a rural backwater, must solve the knottiest problem of all: How will he keep his liege lord safe from daggers in the back and politically scheming trollops in the night?

Here Be Dragons: A collection of short stories

By: Sarah A. Hoyt

Price:  $2.99

Blurb:

A collection of short stories by Award Winning Author Sarah A. Hoyt. From dark worlds ruled by vampires, to magical high schools, to future worlds where super-men have as many problems as mere mortals, this collection shows humans embattled, imperiled, in trouble, but never giving up. Angel in Flight is set in Sarah Hoyt’s popular Darkship series.

The collection contains the stories: It Came Upon A Midnight Clear
First Blood, Created He Them, A Grain Of Salt, Shepherds and Wolves,
Blood Ransom,The Price Of Gold,Around the Bend,An Answer From The North,
Heart’s Fire,Whom The Gods Love,Angel In Flight,Dragons as well as an introduction by fantasy writer Cedar Sanderson.

Indie Authors Represent

It’s that time of year again: the Author Earnings Report is out. I urge you, if you are an Indie author, or if like me, you fall into the “Uncategorized Single-Author Publisher” category, that you go take a look at this report. It’s the fifth quarterly report of its kind, and well, it’s a huge validation.

Only seven months ago, the idea that indie self-published authors and their ebooks were outearning all authors published by the Big Five publishers combined was jaw-dropping heresy. Today, it’s boring — a widely-acknowledged fact among knowledgeable authors, if not industry pundits. Many authors who publish both ways point out their earnings disparity in favor of their self-published titles, and so this data is no longer surprising.

Jan 2015 author earnings In other words, looking at the numbers, Indies are eating Trad Pub’s sandwich. In the graph above, showing the truth of author earnings, not publishers, we see the reality of what going Indie can do for you. Sure, it’s a lot of work, but the reality is that writing has always been a lot of work, above and beyond the act of creation. So the pie chart above is for a quarter’s data. How about the one year data, now that Author Earnings Report is old enough to (you’ll pardon me) show us the money? one year author earning Anecdotally, the commentators on this blog have expressed that they appreciate the affordability of Indie authors, overall. When a trad-pub book weighs in at $9.99 and you can buy somewhere between two to four times as much reading material from Indie authors, the choice seems obvious. But wait, you say, you can’t treat books like a commodity! They are art, and quality counts for more than quantity, surely? I’m going to digress a little. Once upon a time there was a little girl. Yes, she had pigtails, a puppy, and a pony, but that really isn’t relevant to the story. She was also poor. She didn’t really know this, because she was happy. She had her family that loved her, and plenty of outdoors to run around in, and although there were a few bitter drops, a lot of her happy childhood centered around books. But there was never enough money to buy all the books she wanted to read, so she had to take into consideration how long the book would last, before she brought it home with her. So she never read comic books. Trad pubs are like those comic books. The might be bright, shiny, and attractive, but the true readers, the ones like that little girl, who had to read, they want more than quick and done. They want that quantity, and they are learning that you don’t have to sacrifice quality to get it. More and more, through word of mouth, trusted reviewers, and often enough, the friends I make in the industry, I can get more than I can read without breaking a monthly book budget. Yeah, I have one of those, I have had ever since I found Baen Webscriptions, and carefully managed to buy just that, every other month. Fortunately, my budget is a little bigger now (and it’s now a monthly bundle, but still worth the money most months). Switching hats from reader to publisher, I see this as encouraging. Just last week I snarked about the demise of the ebook. These numbers tell me that despite the cooked-book numbers you see through traditional outlets, ebooks are here to stay, and the readers are only just beginning to consume. It’s like a buffet. You see all the variety, go nuts… but the next night, you have a better idea of what to pick and choose. That’s what we are seeing, the slow sophistication of the reader in choosing authors they enjoy, and can afford. Sure, there are a lot of free books out there. I still pick some up for my kindle app from time to time. But increasingly they tend to be old books I am using for research (Aino Folk Tales, anyone? Greek and Roman Surgical Tools?). My reading for pleasure is split between KU, which I like as I can guilt-free pick up a book by an unknown and delete it if it reeks horribly, and buying authors I know and like. And the cherry on top is that every time I visit Amazon, I get this cool little scroll-bar of recommendations for me, based on my tastes. Oddly enough, they seem to think I’d like this Cedar Sanderson person… I’m just a little chuffed at being listed in the same span with Jody Lynn Nye and Chris Nuttall. Who is himself an upstart Indie sort of fellow. You will note, though, there isn’t a book on that list for more than $5 which makes it right in the sweet spot for affordability. recommendationsBut to return to the Author Earnings Report, I wanted to talk about the ISBN thing. Or rather, the lack thereof. Most Indie ebooks (and keep in mind, we are talking ebooks, not print, all the way through here) are sold without the ISBN that traditionally has been used to track sales. The result of this is what the authors of the AER call a Shadow Industry. For more complete data, they went through all 120,000 titles in the report, looking to see which ones had ISBNs. That is a huge amount of work, and I doff my hat to them. All the hats, from reader to author to publisher (I feel like Bartholomew Cubbins!). The results are hardly surprising. Once again, we Indies are eating that sandwich calmly, no muss, no fuss,  just delicious earnings. Below you will see a figure comparing Indies to Indies, based on the ISBNs. Like the authors of the AER, I suspect that the reason is lower prices on the books where the author had not laid out a ridiculous amount of money on an identifier that they did not need. without ISBN   There is a huge amount of material to digest in the AER. I’m still contemplating it. But I’m also doing a little happy dance (very little, because I can’t dance) about this. For me, it validates the decisions I have made, to stay independent and to seek earning my fortune as an entrepreneur when it comes to writing. Persistence pays off. Now, I just have to persevere through finishing the novel in progress, and start the next one, because one thing I’ve learned about readers, you all are insatiable!

F%$K me, SFWA, One More Time

*eyeroll* SFWA’s getting involved? On the side of Hachette, obvs. 

 

Nothing like supporting the pimp and dissing the girls.

 

What? I give you pleasure, you give me money. What does that make me? 

 

Only… I don’t have a middleman over my head taking most of my money. I’m a free girl. 

 

I’ve blogged before at length about the whole Hachette-Amazon thing, here, and here, and here. It’s business, folks, nothing personal. Amazon is in the process of renegotiating, which comes after Hachette settled over a price-fixing dispute. If you’ve been living under a rock, this comes as a surprise to you. Otherwise, it’s everywhere.

And now, SFWA has come out in support of Hachette. “Author Don Sakers has posted an essay to his blog complaining that the SFWA has endorsed Douglas Preston’s letter. Sakers, an independent author who makes most of his sales through Amazon, is annoyed that SFWA’s leadership did not make any attempt to consult or discuss the matter with its members before acting, and points out that this comes only a week after SFWA asked its members to comment on a proposal for allowing self-published authors to join.” Chris Meadows does a good job reporting on industry news over at Teleread, and covers this one.

So here we have an organization that still claims it supports authors and helps them get the best deal, but now they are in bed with one of the biggest publishing businesses. Their cover story is getting thinner than a streetwalker’s top.

Fortunately, I don’t need them. Even if they deign to ‘let in’ Indie Authors, I wouldn’t join. For one thing, they are sure to put all sorts of qualifications on membership for Indies. But I don’t need them, I repeat myself. For sure, they aren’t fighting for authors to get the best deal. They just came out in support of the guys who pays 12.5% on a book sale, over the guy who pays 70% on a book sale. Even the least mathematically able among us can see where the “bend over and spread, dear’ side is.

But enough about panderers. I’m sick of them. I’m sick of this whole mess, and the Stockholm Syndrome it has revealed in so many authors. I just want to write, and see my books sell. I’m not trying to put out the “Great American Novel,” I’m a mercenary wench who wants to give pleasure to as many readers as possible. Which is how I set my pricing.

See, here’s the thing. For Amazon, and Hachette, it’s cold, hard business. They are almost reptilian in their lack of warm-blooded feelings. But for me, the creator, I do get a buzz out of feedback. When I hear about people enjoying my work, and the pleasure I see on their faces when they thank me for my books, I get a rush. I want more of that. And I know it’s hard out there. So I balance my costs, which are low, with what I think people can pay for some entertainment to brighten their life.

Hachette just wants to milk the consumer for all they have. They try to skim the cream of the authorial crop (or whatever is floating to the surface, anyway) and push some, while others are left adrift without a paddle. But the prices… why price an ebook at $9.99? Think about that, and we’ll discuss it in comments.

Because me, I have a book to send off to an editor, so when it’s released in less than a month now, I can feel that rush all over again. And it’ll be less than $5, so you, my beloved readers, can afford to indulge, over and over again.

Oh, and because I love you guys, I have a novella up for free over on Amazon this weekend. Grab it before Monday, and be sure to give me a little something when you’re done…

A review! What did you think I was asking for? LOL

 

Who are the real gatekeepers?

Over the last couple of days, I’ve seen a number of posts by authors from both sides of the traditional vs. indie publishing discussion (yes, I’m being nice here. In most cases, discussion doesn’t exactly describe the content. Argument or even screaming hissy fit usually comes closer). This comes on top of a long thread in a discussion group I belong to where a couple of folks flat said they would never read anything not from a traditional publisher because anything else never rises above the level of dreck. Pile on top of that a blog post I read this morning from an agent discussing the role of agents in the current world of publishing and, well, my head has exploded again.

It still amazes me the number of “authors” who still foam at the mouth whenever they hear the words “indie” or “self-published”. These authors sneer at anyone who hasn’t “proven” themselves the same way they did. In other words, if you haven’t sent in your submissions and included your SASEs time and time again until you find an editor ready to accept your prose, then you aren’t a “real” writer. That’s right. SASE. I actually read a post this morning where an author castigated anyone who hasn’t done this and who might not know what SASE stands for. Let’s forget about the fact that most major publishers now allow for digital submissions and, even if they don’t, they often don’t require the SASE. But not having sent out your SASEs is a sticking point to becoming a pro according to this one author.

Then you have those who believe that those who go the indie route won’t have their work edited and proofread by “real” editors and proofreaders. According to them, indie covers are all hysterically bad and indies are all wannabes who have tried to cut to the head of the line without learning the trade and taking their lumps. To support this, they point out that the professional organizations like SFWA don’t recognize indie published books are real books and, therefore, indie authors can’t be pro authors.

Why do I have this image of an ostrich with its head buried in the sand?

Look, I’ll be the first one to admit that there are those out there who publish indie because it is the easy way. They throw together a book — and I use that term loosely — and put it up on Amazon or Smashwords or any of the other outlets that allow access to indies. But these are also the ones who, after a few times of doing it will realize that they aren’t making the millions they thought they would and who will go away to either perfect their craft or to another hobby that doesn’t take the time writing does and that might have a better payout.

But there are many wonderful authors out there who have tried going the traditional route and haven’t been able to break in. It has nothing to do with how well they construct a sentence, how good their understanding of punctuation is or how strong their story structure might be. It has everything to do with the fact that the vast majority of publishers require an author to have an agent to get through the doors to even be considered. Agents choose clients based on personal reading taste as well as on what they think publishers want. The problem is, they are looking at something written today that might not see its way into print for two years or more and that, by then, won’t be the next big thing in publishing.

But even if you have an agent, that doesn’t mean you are going to be published. It means you have a chance, better than without an agent but still small, to break into a traditional publishing house. Let’s be real here: there are more authors trying to get their work published than there are slots available for them. Publishers don’t accept every good book that comes through the door. They listen to their bean counters who tell them that the latest best seller is about dinos into bondage with aliens from Zunev. So editors go out looking for similar books. That means your incredible family saga novel is going to be passed over because it doesn’t fit the current best seller matrix. It has nothing to do with your skills as a writer, only with the fact it isn’t following the latest trend.

So, tell me again why I have to go through a traditional publishing path to be considered a “pro”?

Oh, yeah, because SFWA and other organizations don’t recognize me as one. SFWA, an organization that presents itself as the moral compass of the SF/F community and has no problems attacking members who don’t conform to whatever is the current politically correct stance du jour. SFWA, the organization that for years has said it can’t do anything to acknowledge indies and others who publish through non-traditional tracks (read no large advance) without changing its bylaws and constitution. Although, it now seems like they have formed a focus group or something similar to look into it. SFWA who is behind the times when you look at how quickly RWA adapted their rules to include digital, non-advance publishing credits.

Then there’s the allegation that indie’s don’t have their books edited. Excuse me while I go giggle in the corner. Okay, I’m giggling a bit hysterically but many of you understand why. You’ve seen the lack of quality edits that have come back to you, the author, from one of the Big 6 — now Big 5 — publishers. You’ve seen how your editors and copy editors have changed the entire meaning of a sentence or a paragraph, fatally flawing that paragraph or even entire scene, by using a modern term in your historical romance. You’ve had copy editors or editors tell you that your characters couldn’t be in X-church located at Y-location because that’s not where it is. Well, that might not be where it is today according to Google Maps but 100 years ago, it was exactly where you have it. How do you know? Because you didn’t rely on Google Maps or its alternative but you went to maps from the time or descriptions of the area written back then.

Still not convinced that editing can be as bad, or worse, in a traditionally published book than it is an indie book? There are authors who are just now starting to talk publicly about some of the politically correct changes they’ve been forced to make to their books. Characters’ nationalities and race have been changed. Their sexual orientation have been changed. Changes that have nothing to do with making the story better and everything to do with pushing the current politically correct stance of the publishing house.

Then there are the authors, some of them best sellers, who hire editors to go over their work both before and after their publishing house’s editor sees it. Why? Because the quality of editing isn’t, on a whole, of the same level it once was. When publishers started cost cutting years ago, the two areas hit hardest were publicity and editing. So tell me again how traditionally published authors have better editing than indies?

(As with most everything I have to say about legacy publishing, there are exceptions. When it comes to editing and how they treat their authors, Baen Books is the exception. Their editors actually read a book and edit it before it is published and they do treat their authors as partners and valued members of the team, not as an asset or chattel like some publishers do.)

So, how do indie authors get past this stigma others in the industry, especially their fellow writers, seem to have about them? First, indies have to quit worrying about what the so-called pros think. Many of those who were the loudest to condemn indies back when Amazon first opened the KDP program are now indie publishing. Those who still condemn indies are either parroting what their agents and editors tell them or they scared to give up that upfront advance and strike out on their own. They are like the folks in the discussion thread last week who see only the bad in indie and don’t recognize that there are a number of excellent authors out there, more and more of whom are starting to make a living from indie publishing.

But, as an indie, you do have to know the tools of the trade. You have to be able to write a sentence with proper grammar and punctuation — just as you have to know when to break the grammar rules. You have to know story structure. You have to make the commitment to have your work look as professional, or more so, than what is coming out of the traditional houses. That means getting it edited and proofread. It means having a professional looking cover. In other words, you have to be as professional as the naysayers think they are.

Does that mean you will become the next Stephen King or Amanda Hocking? No. But it means you have a chance to find readers who will enjoy your books and recommend you to their friends and family. And they, in turn, will recommend you to another group of readers. That is how you start building sales. As that is happening, you should be writing. Write the next book or short story. Set your own publishing schedule and keep to it. Make sure that when a reader finishes something and likes it, there’s something else of yours for them to buy. If there isn’t, at least have an announcement of when your next book will be out.

As an indie author, you are in the business of writing. That means you have to be your own bean counter and PR guru and editor. It means you have to find and use resources for not only research but for editing, proofing and cover creation. You have to keep up with what is being sold by the legacy publishers and how they are packaging it. Why? Because if your cover has the same basic look as traditionally published books in your genre then the reader won’t automatically go “indie!” and move on. It is a game of appearances.

Most of all, quit listening to those traditionally published authors who say the only way to break into the industry is to do it the way they did. The industry has changed since most of them sold their first book or short story. The rules they had to follow no longer apply. So choose the path you want to follow — heck, follow both if you want — but write and don’t worry about whether you qualify for “pro” status in the organizations or not. What matters is if you are writing books people want to read and are willing to pay for.

Don’t believe me, go to Sarah’s post yesterday at According to Hoyt to see an example of what I would have thought a joke last week but now know is a real sub-genre that is making money for the authors involved. There are folks out there begging for books, books that will never be published through traditional houses. The gatekeepers are no longer the agents or the editors. They are exactly who they ought to be — the readers.

Luxurious Libraries

The Royal Portuguese Reading Room

I opened a fortune cookie one morning, having forgotten it the night before, and read that “You will be surrounded by things of luxury.” I couldn’t argue with this, I was going to be spending my day at a library surrounded by books. That got me thinking on how the status of books has changed, is changing. It wasn’t all that long ago, if you take a giant step back to see all of human history at once as a timeline, when books were a luxury only the most wealthy could own. Books like the Book of Kells were lovingly painted, and embellished with gold leaf.

Enter Gutenberg, and his press. From that point forward, literature has mushroomed. And like a patch of mushrooms, you could only really see part of it. The darlings of the media, in whatever form that was, got talked about. But there were many more unseen books that were unseen, proliferating via word of mouth. It has always been that way, ever since books became accessible to the masses.There were books that were frowned on as vulgar, that you wouldn’t admit to having read, and even at times, reading was not in vogue. Growing up, I was taught that a certain establishment frowned on the peasants being taught how to read, as it would dilute their hold on the ‘truth.’ I don’t know if it’s fact, but it certainly rings true. The luxury of being able to read and form one’s own opinion is open to each one of us.

We live in an era of information, I am told over and over. This is true – there is more of it, and mere freely available, than ever before. But how do we know what to believe? It’s like being drowned in gold coins. And each one needs to be bitten to see if it is real gold, or lead.  Which brings me to the concept of gatekeepers. We have been told, stridently and often, that indie published books must be crap because there are no gatekeepers. What the detractors don’t seem to get is that we are intelligent, educated, rational humans, and we can do our own gatekeeping, thankyouverymuch.

The gatekeepers have become corrupted. Drunk on power, they push their own biases, forgetting that they were supposed to sell to the masses, not the elitists who agree with them. But now, with the rise of independence, we have the luxury of becoming our own gatekeeper. It doesn’t take long for me to look at a book blurb, maybe the reviews, flip through a few pages, and know that I am interested in buying, or not. No longer online than it would take, standing in a bookstore. We are surrounded by the vast array of offerings, looking at what we want to, when we want it. It can make you a bit giddy at times. I know I indulge in book shopping far more often when presented with this option.

There was a time in my life I lived in dire poverty. I couldn’t get more books, for various reasons. Access to a library was limited, my personal library had been pruned down to a bare branch by many moves, and I was growing desperate. Enter the internet, and ebooks. Especially the Baen Free Library, although I had other favorite sites like manybooks and Project Gutenberg. It was like unlocking the vaults and allowing a starving man to take all he could carry. Now, I have the ability to find exactly what I want to read, no matter where I am, or what time it is, or what state of dress I am sporting. Leave my finances out of it, I am a rich woman.

I may not be able to allow visitors to gaze upon my magnificent collection and impress them with having all the right titles, since most of my reading is electronic, and besides, I own a varied library at best. I love ebooks, but I will admit that they don’t get the same reaction as an 1895 copy of Kipling, which was picked up reverently when I had it out in public, raised to an inch of her face, and sniffed thoroughly with a look of bliss and a comment of “I love the smell of old books!”  I love to share my favorites, and have been known to write notes in Literature class, and push them to a classmate with a ‘psst! check this book out!’ knowing that I am contributing to the downfall of a youth into the decadence of reading. I review new favorites, especially those by Indie authors, on my blog for the public to discover. We live in the lap of luxury and it’s lined with a pile of books.

And because I know you will all enjoy this: 30 best places to be if you love books!